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                <text>This is a black and white photo of the American actor Carroll Baker with the festival director Dermot Breen. They are shown facing each other whilst shaking hands. Breen is wearing a dinner jacket while Baker is dressed in a light-coloured organza gown decorated with a flower motif.&lt;br /&gt;&lt;br /&gt;Born in 1931, Carroll Baker is an Academy Award and BAFTA nominee for her career-defining role as ‘Baby Doll’ Meehan in the 1956 film &lt;em&gt;Baby Doll&lt;/em&gt; directed by Elia Kazan and later &lt;em&gt;Giant&lt;/em&gt; (George Stevens, 1956) acting with Elizabeth Taylor, Rock Hudson, and James Dean. (The music for &lt;em&gt;Giant&lt;/em&gt; was scored by Dimitri Tiomkin whose image is also in this archive.) She studied in the Actors Studio under Lee Strasberg who introduced her to the work of Kazan and the Tennessee Williams script. Yet despite her success in Hollywood, Baker had a difficult relationship with the studios, such as Warner and Paramount, and in particular with the producer Joseph Levine, whose contracts tied her to work for them whatever her wishes. She left Hollywood in the late 1960s and moved to Italy working in Italian thrillers and horror movies which allowed her to work outside the constraints of the Hollywood moral code as well as her probable blacklisting by the studios. &lt;br /&gt;&lt;br /&gt;At the time of this photograph, Baker had filmed the leading role in Corrado Farina’s horror film &lt;em&gt;Baba Yaga&lt;/em&gt; (1973). The Italian director Farina was also at the festival and they might have been promoting &lt;em&gt;Baba Yaga&lt;/em&gt; that year. Baker is the mother of Blanche Baker, with the director Jack Garfein. Born in 1957 Blanche Baker is a well-regarded actor and filmmaker winning an Emmy Award for her work in the television miniseries &lt;em&gt;Holocaust&lt;/em&gt; (1978). She also starred in the title role of Edward Albee’s stage adaptation of &lt;em&gt;Lolita&lt;/em&gt; on Broadway during 1981-2.</text>
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                <text>This is a black and white photo of the French film director François Truffaut with Lord Mayor Pat Kerrigan, American actor Carroll Baker and festival director Dermot Breen. All four are standing in front of a cinema ticket office advertising the price of admission (60 pence for a seat in the balcony and stalls, 40 pence for a seat in the front stalls and 30 pence for children). Truffaut on the left is turned towards Breen and the others, while the Lord Mayor, in his mayoral chain, and Carroll Baker, wearing a dapper crochet hat, face the camera. &lt;br /&gt;&lt;br /&gt;Pat Kerrigan was Lord Mayor of Cork from 1973 to 1974. He was an Irish politician and trade union official affiliated with the Labour Party. After failing to win a seat in the 1969 and 1973 general elections he was nominated to the 13th Seanad by Taoiseach, Liam Cosgrave, where he served until 1977. He won a seat for the Cork City constituency in the 1977 general election and took his seat that year before dying two years later, age 51. &lt;br /&gt;&lt;br /&gt;In this picture Kerrigan is standing next to the American actor Carroll Baker. Born in 1931 Baker was a well-regarded Academy nominated actor best known for her career-defining role as ‘Baby Doll’ Meehan in the 1956 film &lt;em&gt;Baby Doll&lt;/em&gt; directed by Elia Kazan. Her films include &lt;em&gt;The Big Country&lt;/em&gt; (William Wyler, 1958) and &lt;em&gt;How the West Was Won&lt;/em&gt; (John Ford, Henry Hathaway, George Marshall, 1962) and the George Peppard romance &lt;em&gt;The Carpetbaggers&lt;/em&gt; (1964). Despite her success, she had a difficult relationship with the studios, such as Warner and Paramount, whose contracts tied her to work for them whatever her wishes. Baker left Hollywood in the late 1960s and moved to Italy working in Italian thrillers and horror movies which allowed her work outside the constraints of the Hollywood moral code as well as her probable blacklisting by the studios.&amp;nbsp; At the time of this photograph Baker had filmed the leading role in Corrado Farina’s horror film &lt;em&gt;Baba Yaga&lt;/em&gt; (1973). The Italian director Farina was also at the festival (and was on the Jury) and it is probable that they were promoting &lt;em&gt;Baba Yaga &lt;/em&gt;that year.&lt;br /&gt;&lt;br /&gt;François Truffaut (1932-1984) was a French film director, screenwriter, producer, actor and film critic at &lt;em&gt;Cahiers&lt;/em&gt;. His career spans forty years of filmmaking and in 1959 his autobiographical film &lt;em&gt;The 400 Blows&lt;/em&gt;, with Jean-Pierre Léaud, ushered in French New Wave (&lt;em&gt;La Nouvelle Vague&lt;/em&gt;) cinema with the rejection of traditional film-making structures. His filmography includes &lt;em&gt;Jules and Jim&lt;/em&gt; (1962), the non-French speaking &lt;em&gt;Fahrenheit 451&lt;/em&gt; (1966), and &lt;em&gt;The Story of Adèle H.&lt;/em&gt; (1975) with Isabelle Adjani for which she was nominated for a Best Actress Oscar. Around the time of this photograph Truffaut had released &lt;em&gt;Day for Night&lt;/em&gt; (1973) which won him an Oscar for Best Foreign Film. His final film was &lt;em&gt;Confidentially Yours&lt;/em&gt; (1983) which he made as an homage to his favourite director Alfred Hitchcock. He died a year later, age 52, from a brain tumor and is buried in Paris.</text>
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                  <text>A selection of photographs from the Cork International Film Festival </text>
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                  <text>University College Cork</text>
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              <description>A related resource from which the described resource is derived</description>
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                  <text>Cork Film Festival Collection</text>
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                  <text>University College Cork</text>
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              <name>Date</name>
              <description>A point or period of time associated with an event in the lifecycle of the resource</description>
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                  <text>1956-</text>
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                  <text>1956-&#13;
Cork, Ireland</text>
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                  <text>Photo&#13;
TIFF&#13;
JPEG</text>
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              <description>Information about rights held in and over the resource</description>
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                  <text>Please see individual items for licencing information. ©Reproduction rights CIFF</text>
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          <name>Original Format</name>
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              <text>236 x 181mm</text>
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            <name>Title</name>
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                <text>Sinéad Cusack and Jane Asher with the Italian film director Corrado Farina</text>
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            <name>Subject</name>
            <description>The topic of the resource</description>
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                <text>Cork Film Festival, Sinéad Cusack, Jane Asher, Corrado Farina, Baba Yaga, Carroll Baker</text>
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            <description>An entity primarily responsible for making the resource</description>
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                <text>University College Cork, Cork Film Festival, Bord Fáilte Éireann (Irish Tourist Board)</text>
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            <name>Source</name>
            <description>A related resource from which the described resource is derived</description>
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                <text>Cork Film Festival Collection</text>
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                <text>University College Cork</text>
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            <name>Date</name>
            <description>A point or period of time associated with an event in the lifecycle of the resource</description>
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                <text>1972</text>
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            <name>Contributor</name>
            <description>An entity responsible for making contributions to the resource</description>
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                <text>Bord Fáilte Éireann (Irish Tourist Board)</text>
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            <name>Format</name>
            <description>The file format, physical medium, or dimensions of the resource</description>
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              <elementText elementTextId="3036">
                <text>Photo&#13;
TIFF&#13;
JPEG</text>
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            <name>Coverage</name>
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                <text>1972&#13;
Cork, Ireland</text>
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          <element elementId="41">
            <name>Description</name>
            <description>An account of the resource</description>
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                <text>This is a black and white photo of Sinéad Cusack and Jane Asher with the Italian film director Corrado Farina. The three of them are chatting and laughing while standing facing each other. Jane Asher, on the left of the photo, is wearing a light-coloured polo-neck jumper and is looking over to a smiling Sinéad Cusack, who is wearing an embroidered high-neck shirt under a checkered jacket. Farina, in the middle of the group, with a festival ribbon pinned to the lapel of his jacket, leans in as he chats. &lt;br /&gt;&lt;br /&gt;The back of the photo notes that Corrado Farina was at the festival as a member of the Jury that year in a photo marked 1972. He directed two horror feature films during the 1970s: &lt;em&gt;They Have Changed Their Face&lt;/em&gt; (1971) and &lt;em&gt;Baba Yaga&lt;/em&gt; (1973). The American actor Carroll Baker, who was in Cork in the same year as Farina, played the part of ‘Baba Yaga’ – a middle-aged seductress who ultimately controls the main character Valentina, played by Isabelle De Funès, through a doll that she gives her. &lt;em&gt;Baba Yaga&lt;/em&gt; was based on the graphic stories written by the Italian Guido Crepax who is famous for his ‘Valentina’ series of books. Crepax is also a keen wargamer and is the author of the first wargames to be published in Italy. &lt;br /&gt;&lt;br /&gt;Jane Asher, on the left of the photo, is an English actor, writer and businesswoman with a particular interest in baking. She has worked in film, theatre, radio and television since she was a young child. Her filmography includes the under-rated &lt;em&gt;Deep End&lt;/em&gt; (Jerzy Skolimowksi, 1970) (with music by Cat Stevens), &lt;em&gt;Alfie&lt;/em&gt; (Lewis Gilbert, 1966) with Michael Caine, and the British sitcom &lt;em&gt;The Old Guys&lt;/em&gt;. At the time of this picture, marked 1972, Asher starred in &lt;em&gt;Henry VIII and His Six Wives&lt;/em&gt; (Waris Huessein, 1972) where she played the part of Jane Seymour. Asher is a shareholder in the magazine &lt;em&gt;Private Eye&lt;/em&gt; and has written many books including best-selling novels and lifestyle books. (Ryan Gilbey, ‘Deep End: pulled from the water,’ &lt;em&gt;The Guardian&lt;/em&gt;, 01.05.11) &lt;br /&gt;&lt;br /&gt;Sinéad Cusack appears in the archive a number of times. Born in Dublin she is the daughter of the actor Maureen Cusack and the actor Cyril Cusack. She is married to the actor Jeremy Irons who appeared with her in &lt;em&gt;Stealing Beauty&lt;/em&gt; (Bernardo Bertolucci, 1996). Most recently she was the winner of the Irish Times Theatre Award for Best Actress for &lt;em&gt;Our Few and Evil Days&lt;/em&gt; in 2015. Her film work includes &lt;em&gt;Hoffman&lt;/em&gt; (Alvin Rakoff, 1970) with Peter Sellers which was released around the time of this photograph.</text>
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            <name>Rights</name>
            <description>Information about rights held in and over the resource</description>
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              <elementText elementTextId="12951">
                <text>&lt;p&gt;©Bord Fáilte Éireann (Irish Tourist Board). All rights reserved. Please credit &lt;a href="https://corkfilmfest.org/"&gt;Cork International Film Festival&lt;/a&gt; &amp;amp; provide a link back to this site.&lt;/p&gt;</text>
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            <name>Language</name>
            <description>A language of the resource</description>
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                <text>English, eng</text>
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        <name>Carroll Baker</name>
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        <name>Corrado Farina</name>
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        <name>Italy</name>
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        <name>Jane Asher</name>
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        <name>Jury</name>
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        <name>Sinéad Cusack</name>
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