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                  <text>A selection of programmes from the Cork International Film Festival. </text>
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                <text>Cork Film Festival, Minhea Gheorghiu, Sergio Amidei, Hugues Marie Joseph de Place, Ernst Krüger, Fr John C Kelly, Heinz Rühmann, Colm ó Laoghaire, Niall Tóibín, Louis Marcus, Conor Sweeny, Jean Benoit-Levy, Charles Ford, Billy Wilder, Robert Gessner, Dan Donovan, Mollie Plowright, Fr Holloway, Fr Kelly</text>
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                <text>University College Cork, Cork Film Festival, Dermot Breen, Robert Breathnach</text>
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                <text>start=1965-09-12; end=1965-09-19;&#13;
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                <text>&lt;a href="https://corkfilmfest.ucc.ie/items/show/594"&gt;Cork International Film Festival programme cover from 1965&lt;/a&gt;</text>
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                <text>The original 1965 programme is a slim soft card-bound issue measuring 26.5cm x 11cm. The bind is stapled and it has 84 numbered pages. There is minor wear &amp;amp; tear on the cover which is coming away from the rust-damaged staples. &lt;br /&gt;&lt;br /&gt;The 1965 pdf version includes profiles of Jury president Romanian writer Minhea Gheorghiu (1919-2011), Italian screenwriter Sergio Amidei (1904-1981), Hugues Marie Joseph de Place, German producer Ernst Krüger (1898-1995), and film critic Fr John C Kelly. Programme listings include a listing for &lt;em&gt;Dr Hiob Praetorius&lt;/em&gt; (Kurt Hoffman, 1965) starring Heinz Rühmann who came to the festival that year. Irish productions, &lt;em&gt;Saoire Ar Uisce&lt;/em&gt; (&lt;em&gt;Holidays on Water&lt;/em&gt;) and &lt;em&gt;Peictiuiri Chun Pleisiuir&lt;/em&gt; (&lt;em&gt;Pictures for Pleasure&lt;/em&gt;), both directed by Colm ó Laoghaire, and with a commentary by Niall Tóibín, and &lt;em&gt;Rhapsody of a River&lt;/em&gt; directed by Louis Marcus, with music by Seán Ó Riada, are listed this year. Articles include &lt;em&gt;Ten Years Ago&lt;/em&gt; (recalling the birth of the film festival) by Conor Sweeny (pp.6-9), &lt;em&gt;A Tribute to Jean Benoit-Levy: Humanist and Craftsman&lt;/em&gt; by Charles Ford (pp.71-74) and &lt;em&gt;Billy Wilder: Court Jester to the World&lt;/em&gt; by Professor Robert Gessner, New York University (pp.75-79). As well as programme listings the brochure includes a number of advertisements from local and national companies across all sectors of the business world. We also note a symposium on &lt;em&gt;Censorship and the Film&lt;/em&gt; was presented that year with Dan Donovan, Mollie Plowright, Fr Holloway, and Fr Kelly (p.74).</text>
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                <text>This item is licenced with a Creative Commons Attribution 4.0 International (CC-BY 4.0) licence. All rights reserved. Please credit Cork International Film Festival &amp; provide a link back to this site.</text>
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                  <text>Please see individual items for licencing information. ©Reproduction rights CIFF</text>
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                <text>Dan Donovan and others</text>
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                <text>This is a black and white photo of film festival committee member Dan Donovan standing in front of a microphone alongside a festival delegate identified as ‘Thelma’ at the rear of the photo. Standing on the far left, in a striped shirt, is the actor George Baker.&lt;br /&gt;&lt;br /&gt;Baker (1931-2011) was a star of cinema, stage, and television. He is remembered by most for his role as Inspector Wexford in the successful Ruth Rendall crime drama television series &lt;em&gt;The Ruth Rendell Mysteries&lt;/em&gt; (1987-2000). Baker has extensive television and film credits including The &lt;em&gt;Dam Busters&lt;/em&gt; (Michael Anderson, 1955), &lt;em&gt;Goodbye, Mr Chips&lt;/em&gt; (Herbert Ross, 1969) starring Peter O’Toole and Petula Clark, and &lt;em&gt;The Spy Who Loved Me&lt;/em&gt; (Lewis Gilbert, 1977) with Roger Moore.</text>
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                <text>&lt;p&gt;©Donal Sheehan. All rights reserved. Please credit &lt;a href="https://corkfilmfest.org/"&gt;Cork International Film Festival&lt;/a&gt; &amp;amp; provide a link back to this site.&lt;/p&gt;</text>
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                <text>David Hemmings, Lord Mayor Seán French and others at festival presentation</text>
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                <text>This is a black and white photo, dated 1976, of the actor David Hemmings speaking at an award presentation which was organised by George McSweeney (who might be sitting at the piano). The Lord Mayor Seán French, wearing his chain of office, is seated behind Hemmings next to the former Lord Mayor Gus Healy. Some of the other nine delegates are provisionally identified at the back of the photo as the Everyman Theatre founder, and Presentation Brothers College (PBC) teacher, Dan Donovan, Teddy O’Brien, festival director Dermot Breen, and Dorinda Coomber.&amp;nbsp;&lt;br /&gt;&lt;br /&gt;David Hemmings was an English actor, director, and producer who achieved international fame as a sixties icon following his memorable role, as a London fashion photographer (which might have been based on David Bailey), in &lt;em&gt;Blow-Up&lt;/em&gt; (1966), by the Italian director Michelangelo Antonioni, starring Vanessa Redgrave and Sarah Miles. He later played the leading man, opposite Jane Fonda, in Roger Vadim’s fantasy &lt;em&gt;Barbarella&lt;/em&gt; (1970). His filmography includes &lt;em&gt;The Charge of the Light Brigade&lt;/em&gt; (Tony Richardson, 1968), &lt;em&gt;Alfred the Great&lt;/em&gt; (Clive Donner, 1969) (which was filmed in Ireland), &lt;em&gt;Juggernaut&lt;/em&gt; (Richard Lester, 1974), with Richard Harris and Omar Sharif, and the gangster movie &lt;em&gt;The Squeeze&lt;/em&gt; (Michael Apted, 1977) with Stacy Keach and Edward Fox. Distracted by television roles and running his company, Hemdale Corporation, during the 1980s, his credits include &lt;em&gt;Magnum PI&lt;/em&gt;, &lt;em&gt;Airwolf&lt;/em&gt;, &lt;em&gt;The A-Team,&lt;/em&gt; and &lt;em&gt;Quantum Leap&lt;/em&gt;. By the 2000s his return to film was well-received and included the role of ‘Cassius’ in &lt;em&gt;Gladiator&lt;/em&gt; (Ridley Scott, 2000), and the role of ‘Lenny’ in the poignant &lt;em&gt;Last Orders&lt;/em&gt; (2001), alongside Tom Courtenay and Michael Caine, which was shown at the 46th edition of the Cork Film Festival in 2001. His role in &lt;em&gt;The League of Extraordinary Gentleman&lt;/em&gt; (2003), with Sean Connery, was one his final roles before his unexpected death in Romania in 2003, age 62, whilst filming the British-Romanian horror film &lt;em&gt;Blessed&lt;/em&gt; (a.k.a.&lt;em&gt;Samantha’s Child&lt;/em&gt;) (Simon Fellows, 2004) with Heather Graham and James Purefoy. We also note that he had a minor role in the film &lt;em&gt;St Joan&lt;/em&gt; (1957), based on the George Bernard play, directed by Austrain-born director Otto Preminger, who came to the film festival with Jean Seberg in the late 1950s.</text>
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                <text>This is a black and white photo of the festival director, Dermot Breen, in conversation with the artist and journalist Frank Sanquest.&lt;br /&gt;&lt;br /&gt;Breen, with a cigarette in hand, was a colleague of Sanquest for many years – they would have come across each other in Cork through their involvement with the theatre. For example, when the Cork Opera House burnt down in 1954 the Palace theatre, then managed by Dermot Breen, stepped in offering its stage to the Cork Operatic Society. Sanquest was then set-designer for the Cork Opera House and the Cork Operatic Society. By the late fifties Breen gave up managing the theatre in order to run the film festival and his job at the Palace was taken over by Dan Donovan. &lt;br /&gt;&lt;br /&gt;Frank Sanquest was also a journalist for the then &lt;em&gt;Cork Examiner&lt;/em&gt; and worked as its arts editor from 1940 to 1987. He was the father of five children with his wife Rose, including the artist Kevin Sanquest and the writer Rosalind (Roz) Crowley. In 2009 Kevin Sanquest created a national portrait collection in Fota House, Carrigtwohill, Cork, titled &lt;em&gt;Inheritance – Honouring the Cork Legacy&lt;/em&gt;; he passed away in 2013. Interestingly Kevin Sanquest was the first manager of the Cork music legend Rory Gallagher and the band &lt;em&gt;Taste&lt;/em&gt;. His sister, the journalist and author Roz Crowley, refers to the legacy of Rory Gallagher in her book &lt;em&gt;Macroom Mountain Dew – Memories of Ireland’s First Rock Festival&lt;/em&gt; (OnStream Publications Ltd., 2016). (‘Frank Sanquest obituary: All-round artist with a love for the theatre,’ &lt;em&gt;irishtimes.com&lt;/em&gt;, 12.01.2008; Vera Ryan, &lt;em&gt;Dan Donovan: An Everyman’s Life&lt;/em&gt;, The Collins Press, 2008; Barry Roche, ‘Book marks 40th year of Macroom Mountain Dew Festival,’ &lt;em&gt;irishtimes.com&lt;/em&gt;, 15.06.2016.)</text>
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                <text>&lt;p&gt;©Examiner Publications (Cork) Ltd. All rights reserved. Please credit &lt;a href="https://corkfilmfest.org/"&gt;Cork International Film Festival&lt;/a&gt; &amp;amp; provide a link back to this site.&lt;/p&gt;</text>
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                <text>This is a black and white photo of festival committee members Robin O’Sullivan and Dan Donovan with the English actor George Baker and unidentified colleagues. O’Sullivan, on the left of the photo stands in between a festival attendee identified as Ida and an unidentified guest holding a large bouquet of flowers. George Baker, in a striped shirt and tie, stands on the right next to Dan Donovan on the far right. &lt;br /&gt;&lt;br /&gt;While this photo is dated 1970s we might suggest it is 1972 from the glimpse of the festival brochure in Dan Donovan’s pocket. Donovan (1926-2008) was a founding member of Cork’s Everyman Theatre and Cork’s cultural legacy owes much to his passion and love of the arts. He was a board director of the Cork Choral Festival as well as the Cork Film Festival. His colleague on the left of this photo, Robin O’Sullivan, was also a stalwart film festival committee member who went on to become its director in the late seventies following the unexpected death of festival founder Dermot Breen. He ran it during a difficult time for the festival before handing over the reins to Mick Hannigan and Theo Dorgan in 1985. &lt;br /&gt;&lt;br /&gt;The English actor and writer George Baker (1931-2011) was a star of cinema, stage, and television. He famously had an affair with the French actor Brigitte Bardot whilst married to the first of his three wives. However he is remembered by most for his role as Inspector Wexford in the successful Ruth Rendall crime drama television series &lt;em&gt;The Ruth Rendell Mysteries&lt;/em&gt; (1987-2000). Baker has extensive television and film credits including &lt;em&gt;The Dam Busters&lt;/em&gt; (Michael Anderson, 1955), &lt;em&gt;Goodbye, Mr Chips&lt;/em&gt; (Herbert Ross, 1969) starring Peter O’Toole and Petula Clark, and &lt;em&gt;The Spy Who Loved Me&lt;/em&gt; (Lewis Gilbert, 1977) with Roger Moore. Around the time of this photo he had completed &lt;em&gt;The Executioner&lt;/em&gt; (Sam Wanamaker, 1970) starring Judy Geeson who also came to the Cork festival in the seventies. Baker briefly ran a successful regional theatre company during the late sixties and early seventies bringing his tour of Terence Rattigan’s &lt;em&gt;The Sleeping Prince&lt;/em&gt; (1968) and Christopher Fry’s &lt;em&gt;The Lady’s Not for Burning&lt;/em&gt; (1971) to the West End.</text>
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                <text>&lt;p&gt;©Donal Sheehan. All rights reserved. Please credit &lt;a href="https://corkfilmfest.org/"&gt;Cork International Film Festival&lt;/a&gt; &amp;amp; provide a link back to this site.&lt;/p&gt;</text>
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                <text>This is a black and white photo of Dan Donovan and the English actor Maxine Audley. Donovan, holding a festival brochure dated 1972, is smiling broadly as he reaches out to shake Audley’s hand. &lt;br /&gt;&lt;br /&gt;Donovan (1926-2008) was a founding member of Cork’s Everyman Theatre and Cork’s cultural legacy owes much to his passion and love of the arts. He was a board director of the Cork Choral Festival as well as the Cork Film Festival. Donovan was also an actor and a beloved teacher at the Presentation Brothers College in Cork, where he taught for almost 40 years, and whose theatre is named after him. In 2008 the Everyman, in association with Collins Press, published &lt;em&gt;Dan Donovan: An Everyman’s Life&lt;/em&gt; to mark his 80th birthday. He died, age 92, in 2008. &lt;br /&gt;&lt;br /&gt;At the time of this picture, in 1972, Maxine Audley (1923-1992) had just completed her final film role in &lt;em&gt;Running Scared&lt;/em&gt; (David Hemmings, 1972). &lt;em&gt;Running Scared&lt;/em&gt; was directed and co-written by David Hemmings who also came to the Cork Film Festival during the seventies. Audley was an English stage and film actor who consistently worked in theatre to high acclaim. She toured with the Old Vic and worked in the West End and Stratford with John Gielgud, Kenneth Tynan, and Peter Brook. Audley also worked in television, radio and over 20 films, including Charlie Chaplin’s satirical comedy &lt;em&gt;A King in New York&lt;/em&gt; (1957), which also starred the English actor Dawn Addams who came to the Cork festival in its early days.</text>
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                <text>&lt;a href="https://corkfilmfest.ucc.ie/items/show/479"&gt;Signed publicity photo of Maxine Audley&lt;/a&gt;</text>
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                <text>&lt;p&gt;©Finbarr O’Connell. All rights reserved. Please credit &lt;a href="https://corkfilmfest.org/"&gt;Cork International Film Festival&lt;/a&gt; &amp;amp; provide a link back to this site.&lt;/p&gt;</text>
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Cork, Ireland</text>
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                  <text>Please see individual items for licencing information. ©Reproduction rights CIFF</text>
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                <text>This is a black and white photo of the Irish film director and documentary maker Louis Marcus sitting with an unidentified companion. Marcus on the left, with his distinctive glasses and beard, is turned slightly towards his companion, engaged in conversation. They are seated amongst a convivial crowd, drinking and smoking, at tables made from empty beer kegs with umbrellas used for cover. &lt;br /&gt;&lt;br /&gt;Louis Marcus was born in Cork City to an Irish Jewish family. His grandfather Louis Roseberg came to Cork in 1882, from Akmian, North of Lithuania, fleeing persecution from the Russian Empire. Cork Jews were often referred to as Akmajianites. Marcus began his career in Dublin as assistant director on &lt;em&gt;Mise Éire&lt;/em&gt; (George Morrison, 1959) and &lt;em&gt;Saoirse? &lt;/em&gt;(George Morrison, 1965) and would continue to work on Gael-Linn documentaries until 1973. He was nominated for the Academy Award for Best Documentary in 1974 for &lt;em&gt;Children at Work&lt;/em&gt; (Páisti ag Obair), and in 1976 he was nominated for Best Live Action Short Film at the 48th Academy Awards for &lt;em&gt;Conquest of Light&lt;/em&gt; (1976) which detailed how Waterford Glass is made with an emphasis on the aesthetic nature of the process. &lt;br /&gt;&lt;br /&gt;Marcus is a member of &lt;em&gt;Aosdána&lt;/em&gt; (the Irish Association of Artists limited to 250 individuals, founded in 1981 by Charles Haughey) and an honorary member of the Royal Hibernian Academy. In 2011 he was awarded a special prize for his outstanding work in the Irish language at the Screen Directors Guild of Ireland (SDGI) Annual Meeting of Directors including Oliver Hirschbeigel, Dearbhla Walsh, Lenny Abrahamson and Ciaran Donnelly. His first documentary film &lt;a href="https://ifiplayer.ie/the-silent-art/"&gt;&lt;em&gt;The Silent Art&lt;/em&gt;&lt;/a&gt; (1958), on his friend the Cork-born sculptor Séamus Murphy (1907-1975), is of particular interest to us as Murphy designed the bronze St Finbarr statuette that was presented to prizewinners at the Cork Film Festival for some years. &lt;em&gt;The Silent Art&lt;/em&gt; (18 mins.) was shown at the festival in 1959, with music by Bernard Geary and Declan Townsend, and commentary by festival stalwart Dan Donovan.</text>
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                <text>&lt;p&gt;©Donal Sheehan. All rights reserved. Please credit &lt;a href="https://corkfilmfest.org/"&gt;Cork International Film Festival&lt;/a&gt; &amp;amp; provide a link back to this site.&lt;/p&gt;</text>
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