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                <text>Film composer Dimitri Tiomkin with Olivia Tiomkin and others at a press reception in London</text>
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                <text>Cork Film Festival, Dimitri Tiomkin, Olivia Tiomkin, &lt;em&gt;Tchaikovsky&lt;/em&gt;, Dermot Breen, Russia</text>
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                <text>This is a black and white photo of the Russian film composer Dimitri Tiomkin with his wife, Olivia Tiomkin, and two others including festival director Dermot Breen. They are attending a press reception at the Café Royal in London, for the Soviet biopic film &lt;em&gt;Tchaikovsky&lt;/em&gt; (Igor Talakin, 1970). Tiomkin and his wife are standing on the left of the photo, holding drinks, while in conversation with Breen and an unidentified colleague. &lt;br /&gt;&lt;br /&gt;Dimitri Tiomkin (1894-1979) was Ukrainian by birth and trained in Russia and Berlin, before moving eventually to Hollywood where he was best known for his scores for Western films, including work with the directors Frank Capra, Fred Zinnemann, and Alfred Hitchcock amongst others. In all, he received twenty-two Academy Award nominations and won four Oscars including three for Best Original Score for &lt;em&gt;High Noon&lt;/em&gt; (Fred Zinneman, 1952), &lt;em&gt;The High and the Mighty&lt;/em&gt; (William Wellman, 1954), and &lt;em&gt;The Old Man and the Sea&lt;/em&gt; (John Sturges, Fred Zinnemann, 1958) as well as an Oscar for Best Original Song for &lt;em&gt;The Ballad of High Noon&lt;/em&gt;.&lt;br /&gt;&lt;br /&gt;In this image, Tiomkin and his wife are at a reception for the film &lt;em&gt;Tchaikovsky&lt;/em&gt; which was a Soviet-American collaboration about the Russian composer Pytor Illyich Tchaikovsky. Tiomkin scored the music for the film which was nominated for an Academy Award in the foreign-language category. It was a tribute by Tiomkin, as a composer, to another Russian composer and was one of the last motion picture films to be scored by him.</text>
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                <text>&lt;p&gt;©Pic Photo, London. All rights reserved. Please credit &lt;a href="https://corkfilmfest.org/"&gt;Cork International Film Festival&lt;/a&gt; &amp;amp; provide a link back to this site.&lt;/p&gt;</text>
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                <text>Cork Film Festival, Carroll Baker, &lt;em&gt;Baba Yaga&lt;/em&gt;, Corrado Farina, &lt;em&gt;Baby Doll&lt;/em&gt;, Dermot Breen</text>
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                <text>This is a black and white photo of the American actor Carroll Baker with the festival director Dermot Breen. They are shown facing each other whilst shaking hands. Breen is wearing a dinner jacket while Baker is dressed in a light-coloured organza gown decorated with a flower motif.&lt;br /&gt;&lt;br /&gt;Born in 1931, Carroll Baker is an Academy Award and BAFTA nominee for her career-defining role as ‘Baby Doll’ Meehan in the 1956 film &lt;em&gt;Baby Doll&lt;/em&gt; directed by Elia Kazan and later &lt;em&gt;Giant&lt;/em&gt; (George Stevens, 1956) acting with Elizabeth Taylor, Rock Hudson, and James Dean. (The music for &lt;em&gt;Giant&lt;/em&gt; was scored by Dimitri Tiomkin whose image is also in this archive.) She studied in the Actors Studio under Lee Strasberg who introduced her to the work of Kazan and the Tennessee Williams script. Yet despite her success in Hollywood, Baker had a difficult relationship with the studios, such as Warner and Paramount, and in particular with the producer Joseph Levine, whose contracts tied her to work for them whatever her wishes. She left Hollywood in the late 1960s and moved to Italy working in Italian thrillers and horror movies which allowed her to work outside the constraints of the Hollywood moral code as well as her probable blacklisting by the studios. &lt;br /&gt;&lt;br /&gt;At the time of this photograph, Baker had filmed the leading role in Corrado Farina’s horror film &lt;em&gt;Baba Yaga&lt;/em&gt; (1973). The Italian director Farina was also at the festival and they might have been promoting &lt;em&gt;Baba Yaga&lt;/em&gt; that year. Baker is the mother of Blanche Baker, with the director Jack Garfein. Born in 1957 Blanche Baker is a well-regarded actor and filmmaker winning an Emmy Award for her work in the television miniseries &lt;em&gt;Holocaust&lt;/em&gt; (1978). She also starred in the title role of Edward Albee’s stage adaptation of &lt;em&gt;Lolita&lt;/em&gt; on Broadway during 1981-2.</text>
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