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                  <text>A selection of items from the Cork International Film Festival  collection</text>
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                  <text>Please see individual items for licencing information. ©Reproduction rights CIFF</text>
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                <text>This is a promotional three-fold leaflet for the 1962 Cork International Film Festival. The leaflet describes the founding of the festival in 1956 and the plans for the seventh edition of the festival. There is a short description of the Festival Club and ticket options (£1 for festival club membership). An image of Sophia Loren on the inside of the leaflet is accompanied by text detailing her win of the 1961 Waterford Glass Trophy, for outstanding acting performance, for her part in &lt;em&gt;Two Women &lt;/em&gt;(Vittorio de Sicca, 1960).&amp;nbsp;Other images of celebrities from the 1961 festival decorate the opening page of the leaflet.</text>
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                <text>start=1962-09-16; end=1962-09-23;&#13;
Cork, Ireland</text>
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                <text>&lt;a href="https://corkfilmfest.ucc.ie/items/show/644"&gt;Telegram from Sophia Loren to Dermot Breen&lt;/a&gt;</text>
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                <text>&lt;a href="https://creativecommons.org/licenses/by/4.0/"&gt;CC-BY 4.0&lt;/a&gt;. All rights reserved. Please credit Cork International Film Festival &amp;amp; provide a link back to this site.</text>
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                  <text>Please see individual items for licencing information. ©Reproduction rights CIFF</text>
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                <text>Singing sensation Helen Shapiro with the actor Ferdy Mayne and Dermot Breen</text>
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                <text>Cork Film Festival, Dermot Breen, Helen Shapiro, The Beatles, Richard Lester, Ferdy Mayne, Germany</text>
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                <text>Finbarr O'Connell </text>
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                <text>1972&#13;
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                <text>This is a black and white photo of the singer Helen Shapiro in conversation with the actor Ferdy Mayne and festival director Dermot Breen. They are probably at the Harp Lager-sponsored festival club and, as with the convivial crowd around them, they drink and chat, cigarette in hand.&lt;br /&gt;&lt;br /&gt;Helen Shapiro, in a white blouse and embroidered top accessorised with a festival ribbon, was a singing sensation in her day. Born in East London in 1946, she was a British singer whose repertoire included the blues, jazz, gospel and pop music. By the age of 15 she was England’s top recording star with &lt;em&gt;You Don’t Know&lt;/em&gt; and &lt;em&gt;Walking Back to Happiness&lt;/em&gt; earning her two gold discs. She toured and performed with the Beatles; John Lennon and Paul McCartney wrote the song &lt;em&gt;Misery&lt;/em&gt; for her but her then-management refused to let her record it. Shapiro’s film career was brief and she played herself in &lt;em&gt;Play It Cool&lt;/em&gt; (Michael Winner,1962) and the lead female role in &lt;em&gt;Its Trad, Dad!&lt;/em&gt; directed by Richard Lester (1962) who went on to direct the Beatles’ film &lt;em&gt;Hard Day’s Night&lt;/em&gt; (1964). Her stage career includes the West End play &lt;em&gt;Oliver&lt;/em&gt; by Lionel Bart and the part of Sally Bowles in &lt;em&gt;Cabaret&lt;/em&gt;. Later she toured with the British jazz trumpeter Humphrey Lyttelton and his band between 1984 and 2001, as well as touring with her one-woman show &lt;em&gt;Simply Shapiro&lt;/em&gt;. Shapiro published her autobiography &lt;em&gt;Walking Back to Happiness&lt;/em&gt; in 1993.&lt;br /&gt;&lt;br /&gt;Ferdy Mayne, on the right, cigar in hand, faces Breen as they chat. A festival ribbon is pinned to the left lapel of his jacket. Mayne had a prolific film and theatre career and achieved international recognition for his various portrayals of suave criminals, Nazi officers, or Hammer horror roles including head vampire in &lt;em&gt;The Fearless Vampire Killers&lt;/em&gt; (Roman Polanski, 1967) starring Sharon Tate; &lt;em&gt;Where Eagles Dare&lt;/em&gt; (Brian G Hutton, 1968); and &lt;em&gt;The Vampire Lovers&lt;/em&gt; (Roy Ward Baker, 1970) starring Kate O’Hara and Dawn Addams (who was a regular visitor to Cork in the early days of the film festival with her then-husband Prince Vittorio Massimo). &lt;br /&gt;&lt;br /&gt;Mayne later featured in &lt;em&gt;Trip to Vienna&lt;/em&gt; (Edgar Reitz, 1973) with Hannelore Elsner, who also came to Cork around the same time as this photo. (While this photo is marked 1970 it is possibly 1972 based on other items in the archive.) His final film role was as General Karl von Weber in the neo-Nazi political thriller &lt;em&gt;The Killers Within&lt;/em&gt; (Paul Leder, 1995) before he returned to England, where he died in 1998 following the onset of Parkinson’s Disease. (Tom Vallance, 'Obituary: Ferdy Mayne', &lt;em&gt;The Independent&lt;/em&gt;, 04.02.1998.)</text>
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                <text>&lt;p&gt;©Finbarr O’Connell. All rights reserved. Please credit &lt;a href="https://corkfilmfest.org/"&gt;Cork International Film Festival&lt;/a&gt; &amp;amp; provide a link back to this site.&lt;/p&gt;</text>
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                <text>&lt;p&gt;©Donal Sheehan. All rights reserved. Please credit &lt;a href="https://corkfilmfest.org/"&gt;Cork International Film Festival&lt;/a&gt; &amp;amp; provide a link back to this site.&lt;/p&gt;</text>
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                  <text>A selection of photographs from the Cork International Film Festival </text>
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                  <text>Please see individual items for licencing information. ©Reproduction rights CIFF</text>
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                <text>Ann Michelle and Vicki Michelle with Westropp Irvine from Player and Wills</text>
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                <text>University College Cork, Cork Film Festival</text>
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                <text>1972&#13;
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                <text>This is a black and white photo of sisters Ann and Vicki Michelle posing with Westropp Irvine from the Player and Wills tobacco company in Ireland. Player and Wills were friends of the film festival and supported it on occasion with a development grant. While this picture appears to be taken at the festival club we know that Player and Wills sometimes held a reception for the festival at their factory headquarters on Dublin’s South Circular Road. The factory was constructed in 1935 for Player and Wills tobacco until its closure in 2005 when the company moved out of Ireland. The Player Wills site is regarded as one of the last remaining quality development sites in the city centre and, as of May 2020, is being considered for redevelopment into c. 400 new homes.&amp;nbsp; &amp;nbsp;&lt;br /&gt;&lt;br /&gt;Both Vicki and Ann Michelle are English actors. Vicki Michelle (1950-), on the right in this photo, is best known for her work in the BBC television series &lt;em&gt;‘Allo ‘Allo&lt;/em&gt;. She has an extensive television and stage career appearing on &lt;em&gt;Celebrity Masterchef&lt;/em&gt; (2008), &lt;em&gt;Emmerdale&lt;/em&gt; (2007-2009), &lt;em&gt;I’m a Celebrity … Get Me Out of Here!&lt;/em&gt; (2014). She has also appeared on the Irish sketch show &lt;em&gt;The Mario Rosenstock Show&lt;/em&gt; (2012). Michelle played alongside her sister, Ann Michelle (1952-), in &lt;em&gt;The Virgin Witch&lt;/em&gt; (Ray Austin, 1971) which was rejected by the British Board of Film Censors before being passed with an X-rating. The cut version was released in 1972 around the time of this photograph. Ann Michelle also had a small role in the British horror-cult film &lt;em&gt;Psychomania&lt;/em&gt; (aka &lt;em&gt;The Death Wheelers&lt;/em&gt;) (Don Sharp, 1973) starring the Academy Award-winning George Sanders and Beryl Reid. Sanders (1906-1972) died by suicide soon after completing &lt;em&gt;Psychomania&lt;/em&gt;.</text>
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            <description>Information about rights held in and over the resource</description>
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              <elementText elementTextId="14138">
                <text>&lt;span&gt;This item is licensed under a&amp;nbsp;&lt;/span&gt;Creative Commons Attribution NonCommercial-NoDerivatives 4.0 International (CC BY-NC-ND 4.0) licence&lt;span&gt;.&amp;nbsp;Please credit the&amp;nbsp;&lt;/span&gt;Cork International Film Festival Archive&lt;span&gt; and provide a link back to the site.&lt;/span&gt;</text>
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                  <text>Please see individual items for licencing information. ©Reproduction rights CIFF</text>
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                <text>University College Cork, Cork Film Festival, Bord Fáilte Éireann (Irish Tourist Board) </text>
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                <text>This is a black and white photo of the English-born actor Carol Cleveland. Her long brown hair falls in curls around her shoulders as she smiles up at the camera. Behind her the lattice-work on the walls, similar to other images in the archive, indicate that this is possibly taken at the festival club.</text>
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                <text>&lt;p&gt;©Donal Sheehan. All rights reserved. Please credit &lt;a href="https://corkfilmfest.org/"&gt;Cork International Film Festival&lt;/a&gt; &amp;amp; provide a link back to this site.&lt;/p&gt;</text>
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                <text>This is a black and white photo of the actors Francesca Annis and Jon Finch with a guest identified as Ivan Ruttle. They are probably sitting under the Harp Lager-sponsored umbrella of the festival club and are chatting, drinking, and smoking as are the animated guests who sit at tables around them. &lt;br /&gt;&lt;br /&gt;Jon Finch, at the right of the photo in a leather jacket pulling on a cigarette, was an English film and stage actor born in 1942. He was a handsome in demand actor who achieved some notoriety for turning down plum roles when offered them due to a self-proclaimed lack of ambition, such as the chance to replace Sean Connery and play James Bond in &lt;em&gt;Live and Let Die&lt;/em&gt; (Guy Hamilton, 1973) (the part went to Roger Moore instead). In the early 1970s Finch played supporting roles in Hammer Horror productions &lt;em&gt;The Horror of Frankenstein&lt;/em&gt; (Jimmy Sangster, 1970) and &lt;em&gt;The Vampire Lovers&lt;/em&gt; (Roy Ward Baker, 1970) with Dawn Addams, a regular visitor to the Cork Film Festival in its earlier days, with her then-husband Prince Vittorio Massimo. But it was for his Shakespearean roles Finch would become well known. Most famously he played Macbeth in &lt;em&gt;Macbeth&lt;/em&gt; (aka &lt;em&gt;The Tragedy of Macbeth&lt;/em&gt;) (Roman Polanski, 1971) alongside his companion in this picture, Francesca Annis, as Lady Macbeth. Finch also starred in Alfred Hitchcock’s &lt;em&gt;Frenzy&lt;/em&gt; (1972) as well the BBC television productions &lt;em&gt;Richard II&lt;/em&gt; (1978), &lt;em&gt;Henry IV&lt;/em&gt;, parts one and two (1979), and as Don Pedro in the BBC’s &lt;em&gt;Much Ado About Nothing&lt;/em&gt; (1984). His final film role was in the historical drama &lt;em&gt;Kingdom of Heaven&lt;/em&gt; (Ridley Scott, 2005) alongside Orlando Bloom and Eva Green. Finch died in 2012, age 71. &lt;br /&gt;&lt;br /&gt;Francesca Annis, chatting to her companion in this picture, is also an English film and stage actor with a prolific film career. At the time of this photo she had just completed &lt;em&gt;Macbeth &lt;/em&gt;(1971) with Jon Finch, directed by Roman Polanski, whose wife Sharon Tate had recently been murdered in Hollywood by followers of Charles Manson. The film was financed by the &lt;em&gt;Playboy&lt;/em&gt; magazine editor Hugh Hefner as mainstream studios refused to finance it given Polanski’s mental state and yet, despite its critical mauling at the time, the film has gone on to garner plaudits for its somewhat accurate depiction of a bleak violent world. As Polanski notes: &lt;em&gt;… [the film] is violent. But the play is violent. And life is violent too&lt;/em&gt;. &lt;br /&gt;&lt;br /&gt;(Bernard Weinraub, ‘“If you don’t show violence the way it is,” says Roman Polanski, “I think that’s immoral and harmful. If you don’t upset people then that’s obscenity,’’’ &lt;em&gt;The New York Times&lt;/em&gt;, 12.12.1971; Ronald Bergan, ‘Jon Finch obituary: Charismatic star of Polanski’s Macbeth and Hitchcock’s Frenzy’, &lt;em&gt;The Guardian&lt;/em&gt;, 12.01.2013)</text>
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                <text>&lt;p&gt;©Finbarr O’Connell. All rights reserved. Please credit &lt;a href="https://corkfilmfest.org/"&gt;Cork International Film Festival&lt;/a&gt; &amp;amp; provide a link back to this site.&lt;/p&gt;</text>
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                <text>This is a black and white photo of the actor Francesca Annis with the actor Ferdy Mayne and Brian O’Connell. The three are standing in front of hoarding advertising the Harp Lager-sponsored festival. Annis, wearing a cheese-cloth style tunic, is turned to O’Connell chatting while Mayne smiles directly at the camera. &lt;br /&gt;&lt;br /&gt;O’Donnell, in dark-rimmed glasses, might be the legendary Cork publican Brian O’Donnell of the tiny Hi-B bar on Oliver Plunkett Street in Cork. Infamously he would throw you out of his bar, located at the top of a somewhat dilapidated staircase, if you took a call on your phone or caused him consternation in any way. O’Donnell died in 2019 attracting warm tributes from Cork and beyond. (Dan Buckley, ‘Friends in Hi places lie low when Brian’s on warpath,’ &lt;em&gt;Irish Examiner&lt;/em&gt;, 01.12.2012; Barry Roche, ‘Tributes paid to eccentric Cork publican Brian O’Donnell,’ &lt;em&gt;irishtimes.com&lt;/em&gt;, 16.12.2019.) &lt;br /&gt;&lt;br /&gt;Francesca Annis is an English film and stage actor born in 1945 who began acting when she was a teenager. She has a prolific film career and films include &lt;em&gt;Cleopatra&lt;/em&gt; (Joseph Mankiewicz,1962) when she was age 16, with Elizabeth Taylor; &lt;em&gt;Krull&lt;/em&gt; (Peter Yates, 1983), &lt;em&gt;Dune&lt;/em&gt; (David Lynch, 1984) and the directorial debut by Prince, &lt;em&gt;Under the Cherry Moon&lt;/em&gt; (1986). At the time of this photo she had just completed &lt;em&gt;Macbeth&lt;/em&gt; (1971) directed by the Polish-French film director Roman Polanski, whose wife, Sharon Tate, had been murdered recently in Hollywood by the Charles Manson family.&amp;nbsp; &lt;br /&gt;&lt;br /&gt;Annis is shown in this picture with Ferdy Mayne, who also worked with Polanski in &lt;em&gt;The Fearless Vampire Killers&lt;/em&gt; (Roman Polanski, 1967) starring Sharon Tate whom Polanski married the following year. Mayne had a prolific film and theatre career and achieved international recognition for his various portrayals of suave criminals, Nazi officers, or Hammer horror roles including &lt;em&gt;Where Eagles Dare&lt;/em&gt; (Brian G Hutton, 1968), and &lt;em&gt;The Vampire Lovers&lt;/em&gt; (Roy Ward Baker, 1970) starring Kate O’Hara and Dawn Addams, who was a regular visitor to Cork in the early days of the film festival with her then-husband Prince Vittorio Massimo. Mayne later featured in &lt;em&gt;Trip to Vienna&lt;/em&gt; (Edgar Reitz, 1973) with Hannelore Elsner, who also came to the Cork festival.</text>
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                <text>&lt;p&gt;©Bord Fáilte Éireann (Irish Tourist Board). All rights reserved. Please credit &lt;a href="https://corkfilmfest.org/"&gt;Cork International Film Festival&lt;/a&gt; &amp;amp; provide a link back to this site.&lt;/p&gt;</text>
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            <name>Title</name>
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                <text>Sheamus Smith, Greg Smith and guests at the Festival Club</text>
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                <text>Cork Film Festival Collection</text>
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                <text>University College Cork</text>
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                <text>Donal Sheehan</text>
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TIFF&#13;
JPEG</text>
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                <text>University College Cork, Cork Film Festival, Donal Sheehan </text>
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                <text>This is a black and white photo of festival guests at the Harp-sponsored festival club. The photo identifies the producer Greg Smith, William (Bill) Harpur, former film censor Sheamus Smith, Sheila Hampson, and Hillary O’Herlihy, the wife of Bill O’Herlihy. They are standing together, drink in hand, some smiling for the camera. &lt;br /&gt;&lt;br /&gt;Sheamus Smith, wearing his distinctive glasses, stands on the left. Smith started working as a cameraman at the newly formed &lt;em&gt;Teilifís Éireann&lt;/em&gt; (RTÉ) in 1961 before becoming a producer and director with the station in 1963. The following decade he was appointed managing director of Ardmore Film Studios in 1975 and was instrumental in setting up the Irish Film Board. Most notably he was appointed Irish film censor and would go on to become Ireland's longest-serving film censor in the history of the State (1986-2002). He published his memoir &lt;em&gt;Off Screen&lt;/em&gt; (Gill and MacMillan) in 2007.&lt;br /&gt;&lt;br /&gt;The producer Greg Smith (1939-2009), in a light-coloured jacket, stands on the far right of the photo. Smith owned a talent agency in London where he signed on the Irish film-maker Norman Cohen with whom turned a series of risqué best-selling paperback books, by Christopher Wood, into a successful run of ‘confessions’ movies including &lt;em&gt;Confessions of a Pop Performer&lt;/em&gt; (Norman Cohen, 1975), &lt;em&gt;Confessions of a Driving Instructor&lt;/em&gt; (Claire Brough, 1976), and &lt;em&gt;Confessions from a Holiday Camp&lt;/em&gt; (Norman Cohen, 1977). He went on to produce &lt;em&gt;Stand up, Virgin Soldiers&lt;/em&gt; (Norman Cohen, 1977), starring his then-wife Lynda Bellingham who was also at the Cork Film Festival. &lt;br /&gt;&lt;br /&gt;Hillary O’Herlihy was married to the Cork-born, Glasheen-raised, RTÉ television broadcaster, and Irish Film Board Chairman Bill O’Herlihy. O’Herlihy (1938-2015) was a household name best known for his sports coverage, along with co-presenters Eamon Dunphy and John Giles, on programmes such as &lt;em&gt;Sunday Sport&lt;/em&gt; and &lt;em&gt;Sports Stadium&lt;/em&gt; and in his time presented 10 FIFA World Cups and 10 Summer Olympic Games. He was a keen cinephile and brought this to his work at the Irish Film Board. O’Herlihy promoted the film industry and in particular, was keen to develop filming in rural Ireland. He also worked for some time as PR for the Cork Film Festival where he emphasised the focus on Irish film. (Niamh Horan, ‘Bill O’Herlihy: I lost millions from life savings’, &lt;em&gt;Irish Independent&lt;/em&gt;, 28.04.2013.)</text>
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            <name>Subject</name>
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                <text>Cork Film Festival, Festival Club, Sheamus Smith, Hillary O'Herlihy, Bill O'Herlihy, William (Bill) Harpur, RTÉ, Sheila Hampson, Greg Smith, Irish Film Board, Film Censor</text>
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                <text>English, eng</text>
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            <name>Rights</name>
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              <elementText elementTextId="12767">
                <text>&lt;p&gt;©Donal Sheehan. All rights reserved. Please credit &lt;a href="https://corkfilmfest.org/"&gt;Cork International Film Festival&lt;/a&gt; &amp;amp; provide a link back to this site.&lt;/p&gt;</text>
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        <name>Bill O'Herlihy</name>
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        <name>Festival Club</name>
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        <name>Film Censor</name>
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        <name>Greg Smith</name>
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        <name>Irish Film Board</name>
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        <name>Sheamus Smith</name>
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        <name>William (Bill) Harpur</name>
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