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                <text>This is a black and white photo of the English film producer Greg Smith in conversation with the Irish producer Noel Pearson and Ciara Scott. Given the background décor of Harp Lager-sponsored umbrellas, we might guess that this picture was taken at the festival club. Greg Smith, in a light-coloured jacket on the far right, has his back turned to us as he chats with his companions. &lt;br /&gt;&lt;br /&gt;While the identity of Pearson and Scott (whose name cannot be verified) (perhaps Ciarín Scott?) is noted with a question mark at the back of the photo, this is probably the Dublin-born film and theatrical producer Noel Pearson who worked on the Academy award-winning &lt;em&gt;My Left Foot&lt;/em&gt; (Jim Sheridan, 1989) starring Daniel Day-Lewis, Brenda Fricker, and Cyril Cusack. Pearson also produced &lt;em&gt;The Field&lt;/em&gt; (Jim Sheridan, 1990) starring Richard Harris, and &lt;em&gt;Dancing at Lughnasa&lt;/em&gt; (Pat O’Connor, 1998) with Meryl Streep, Kathy Burke, and Michael Gambon. He originally managed the Dubliners before moving into theatre and becoming the artistic director of the Abbey Theatre where he staged Brian Friel’s &lt;em&gt;Dancing at Lughnasa&lt;/em&gt;, before adapting it to film in 1998. His production company, Ferndale Productions, also produced &lt;em&gt;The Secret Scripture&lt;/em&gt; (Jim Sheridan, 2016), based on the novel by Sebastian Barry, and starring Rooney Mara and Vanessa Redgrave. &lt;br /&gt;&lt;br /&gt;The film producer Greg Smith was behind a series of X-rated successful movies during the 1970s including &lt;em&gt;Confessions of a Window Cleaner&lt;/em&gt; (Val Guest, 1974), &lt;em&gt;Confessions of a Pop Performer&lt;/em&gt; (Norman Cohen, 1975), &lt;em&gt;Confessions of a Driving Instructor&lt;/em&gt; (Claire Brough, 1976), and C&lt;em&gt;onfessions from a Holiday Camp&lt;/em&gt; (Norman Cohen, 1977). His collaborations with the Irish director Norman Cohen also include Spike Milligan’s war memoirs: &lt;em&gt;Adolf Hitler: My Part in His Downfall&lt;/em&gt; (Norman Cohen, 1973) and &lt;em&gt;Stand up, Virgin Soldiers&lt;/em&gt; (Norman Cohen, 1977) starring his then-wife Lynda Bellingham and Pamela Stephenson, both of whom are in the archive. (This photo is dated 1960 but we might guess that it is closer to the 1970s given other images of him in the archive.)</text>
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                <text>This is a black and white photo of festival guests at the Harp-sponsored festival club. The photo identifies the producer Greg Smith, William (Bill) Harpur, former film censor Sheamus Smith, Sheila Hampson, and Hillary O’Herlihy, the wife of Bill O’Herlihy. They are standing together, drink in hand, some smiling for the camera. &lt;br /&gt;&lt;br /&gt;Sheamus Smith, wearing his distinctive glasses, stands on the left. Smith started working as a cameraman at the newly formed &lt;em&gt;Teilifís Éireann&lt;/em&gt; (RTÉ) in 1961 before becoming a producer and director with the station in 1963. The following decade he was appointed managing director of Ardmore Film Studios in 1975 and was instrumental in setting up the Irish Film Board. Most notably he was appointed Irish film censor and would go on to become Ireland's longest-serving film censor in the history of the State (1986-2002). He published his memoir &lt;em&gt;Off Screen&lt;/em&gt; (Gill and MacMillan) in 2007.&lt;br /&gt;&lt;br /&gt;The producer Greg Smith (1939-2009), in a light-coloured jacket, stands on the far right of the photo. Smith owned a talent agency in London where he signed on the Irish film-maker Norman Cohen with whom turned a series of risqué best-selling paperback books, by Christopher Wood, into a successful run of ‘confessions’ movies including &lt;em&gt;Confessions of a Pop Performer&lt;/em&gt; (Norman Cohen, 1975), &lt;em&gt;Confessions of a Driving Instructor&lt;/em&gt; (Claire Brough, 1976), and &lt;em&gt;Confessions from a Holiday Camp&lt;/em&gt; (Norman Cohen, 1977). He went on to produce &lt;em&gt;Stand up, Virgin Soldiers&lt;/em&gt; (Norman Cohen, 1977), starring his then-wife Lynda Bellingham who was also at the Cork Film Festival. &lt;br /&gt;&lt;br /&gt;Hillary O’Herlihy was married to the Cork-born, Glasheen-raised, RTÉ television broadcaster, and Irish Film Board Chairman Bill O’Herlihy. O’Herlihy (1938-2015) was a household name best known for his sports coverage, along with co-presenters Eamon Dunphy and John Giles, on programmes such as &lt;em&gt;Sunday Sport&lt;/em&gt; and &lt;em&gt;Sports Stadium&lt;/em&gt; and in his time presented 10 FIFA World Cups and 10 Summer Olympic Games. He was a keen cinephile and brought this to his work at the Irish Film Board. O’Herlihy promoted the film industry and in particular, was keen to develop filming in rural Ireland. He also worked for some time as PR for the Cork Film Festival where he emphasised the focus on Irish film. (Niamh Horan, ‘Bill O’Herlihy: I lost millions from life savings’, &lt;em&gt;Irish Independent&lt;/em&gt;, 28.04.2013.)</text>
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              <elementText elementTextId="12767">
                <text>&lt;p&gt;©Donal Sheehan. All rights reserved. Please credit &lt;a href="https://corkfilmfest.org/"&gt;Cork International Film Festival&lt;/a&gt; &amp;amp; provide a link back to this site.&lt;/p&gt;</text>
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        <name>RTE</name>
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        <name>Sheamus Smith</name>
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              <description>Information about rights held in and over the resource</description>
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                <elementText elementTextId="8637">
                  <text>Please see individual items for licencing information. ©Reproduction rights CIFF</text>
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      <name>Still Image</name>
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          <element elementId="50">
            <name>Title</name>
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                <text>David Kelly with Vida Breen and others at the Festival Club</text>
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                <text>Cork Film Festival, David Kelly, Vida Breen, Vaz Anderson, Festival Club, Pat Kerrigan, Margaret Kerrigan, Cathal Kerrigan</text>
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                <text>This is a black and white photo of the actor David Kelly at the festival club with Vida Breen and Margaret Kerrigan. The formally dressed group are sitting, with a colleague identified as Vaz Anderson, under an umbrella at the busy Harp Lager-sponsored festival club surrounded by other festival patrons. &lt;br /&gt;&lt;br /&gt;Margaret Kerrigan, sitting on the far right next to David Kelly, was the wife of the labour politician Patrick Kerrigan, who served Cork as Lord Mayor from 1973 to 1974. He was nominated to the 13th Seanad by Liam Cosgrave, the then-Taoiseach, where he served until 1977. Kerrigan won a seat in the Cork City constituency in the 1977 general election and took his seat that year before dying two years later, age 51. They had four children, one of whom, Cathal Kerrigan, worked as a librarian in UCC for many years before his retirement in 2020. He recently collaborated with the Germany-based artist Padraig Robinson on his book &lt;em&gt;Gaze Against Imperialism&lt;/em&gt; (Metaflux Publishing, 2019). &lt;br /&gt;&lt;br /&gt;The actor David Kelly appears in the archive on a number of occasions. Around the time of this photo, which is dated 1972 – but it might be 1973 or 1974 to coincide with the mayoralty of Patrick Kerrigan – Kelly had just completed the rarely seen 1973 British comedy film &lt;em&gt;Never Mind the Quality, Feel the Width&lt;/em&gt; (Ronnie Baxter, 1973) which also starred the Irish actor Joe Lynch (1925-2001).</text>
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                <text>Cork Film Festival Collection</text>
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                <text>1972&#13;
Cork, Ireland</text>
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                <text>University College Cork, Cork Film Festival, Donal Sheehan </text>
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                <text>&lt;p&gt;©Donal Sheehan. All rights reserved. Please credit &lt;a href="https://corkfilmfest.org/"&gt;Cork International Film Festival&lt;/a&gt; &amp;amp; provide a link back to this site.&lt;/p&gt;</text>
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                  <text>University College Cork</text>
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                <elementText elementTextId="8637">
                  <text>Please see individual items for licencing information. ©Reproduction rights CIFF</text>
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              <elementText elementTextId="14054">
                <text>&lt;p&gt;©Finbarr O’Connell. All rights reserved. Please credit &lt;a href="https://corkfilmfest.org/"&gt;Cork International Film Festival&lt;/a&gt; &amp;amp; provide a link back to this site.&lt;/p&gt;</text>
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Cork, Ireland</text>
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                <text>&lt;p&gt;©Finbarr O’Connell. All rights reserved. Please credit &lt;a href="https://corkfilmfest.org/"&gt;Cork International Film Festival&lt;/a&gt; &amp;amp; provide a link back to this site.&lt;/p&gt;</text>
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                <elementText elementTextId="8637">
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                <text>This is a black and white photo of the actors Francesca Annis and Jon Finch with a guest identified as Ivan Ruttle. They are probably sitting under the Harp Lager-sponsored umbrella of the festival club and are chatting, drinking, and smoking as are the animated guests who sit at tables around them. &lt;br /&gt;&lt;br /&gt;Jon Finch, at the right of the photo in a leather jacket pulling on a cigarette, was an English film and stage actor born in 1942. He was a handsome in demand actor who achieved some notoriety for turning down plum roles when offered them due to a self-proclaimed lack of ambition, such as the chance to replace Sean Connery and play James Bond in &lt;em&gt;Live and Let Die&lt;/em&gt; (Guy Hamilton, 1973) (the part went to Roger Moore instead). In the early 1970s Finch played supporting roles in Hammer Horror productions &lt;em&gt;The Horror of Frankenstein&lt;/em&gt; (Jimmy Sangster, 1970) and &lt;em&gt;The Vampire Lovers&lt;/em&gt; (Roy Ward Baker, 1970) with Dawn Addams, a regular visitor to the Cork Film Festival in its earlier days, with her then-husband Prince Vittorio Massimo. But it was for his Shakespearean roles Finch would become well known. Most famously he played Macbeth in &lt;em&gt;Macbeth&lt;/em&gt; (aka &lt;em&gt;The Tragedy of Macbeth&lt;/em&gt;) (Roman Polanski, 1971) alongside his companion in this picture, Francesca Annis, as Lady Macbeth. Finch also starred in Alfred Hitchcock’s &lt;em&gt;Frenzy&lt;/em&gt; (1972) as well the BBC television productions &lt;em&gt;Richard II&lt;/em&gt; (1978), &lt;em&gt;Henry IV&lt;/em&gt;, parts one and two (1979), and as Don Pedro in the BBC’s &lt;em&gt;Much Ado About Nothing&lt;/em&gt; (1984). His final film role was in the historical drama &lt;em&gt;Kingdom of Heaven&lt;/em&gt; (Ridley Scott, 2005) alongside Orlando Bloom and Eva Green. Finch died in 2012, age 71. &lt;br /&gt;&lt;br /&gt;Francesca Annis, chatting to her companion in this picture, is also an English film and stage actor with a prolific film career. At the time of this photo she had just completed &lt;em&gt;Macbeth &lt;/em&gt;(1971) with Jon Finch, directed by Roman Polanski, whose wife Sharon Tate had recently been murdered in Hollywood by followers of Charles Manson. The film was financed by the &lt;em&gt;Playboy&lt;/em&gt; magazine editor Hugh Hefner as mainstream studios refused to finance it given Polanski’s mental state and yet, despite its critical mauling at the time, the film has gone on to garner plaudits for its somewhat accurate depiction of a bleak violent world. As Polanski notes: &lt;em&gt;… [the film] is violent. But the play is violent. And life is violent too&lt;/em&gt;. &lt;br /&gt;&lt;br /&gt;(Bernard Weinraub, ‘“If you don’t show violence the way it is,” says Roman Polanski, “I think that’s immoral and harmful. If you don’t upset people then that’s obscenity,’’’ &lt;em&gt;The New York Times&lt;/em&gt;, 12.12.1971; Ronald Bergan, ‘Jon Finch obituary: Charismatic star of Polanski’s Macbeth and Hitchcock’s Frenzy’, &lt;em&gt;The Guardian&lt;/em&gt;, 12.01.2013)</text>
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                <text>&lt;p&gt;©Finbarr O’Connell. All rights reserved. Please credit &lt;a href="https://corkfilmfest.org/"&gt;Cork International Film Festival&lt;/a&gt; &amp;amp; provide a link back to this site.&lt;/p&gt;</text>
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                <text>Singing sensation Helen Shapiro with the actor Ferdy Mayne and Dermot Breen</text>
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          <element elementId="39">
            <name>Creator</name>
            <description>An entity primarily responsible for making the resource</description>
            <elementTextContainer>
              <elementText elementTextId="8022">
                <text>University College Cork, Cork Film Festival, Finbarr O'Connell </text>
              </elementText>
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          </element>
          <element elementId="41">
            <name>Description</name>
            <description>An account of the resource</description>
            <elementTextContainer>
              <elementText elementTextId="12948">
                <text>This is a black and white photo of the singer Helen Shapiro in conversation with the actor Ferdy Mayne and festival director Dermot Breen. They are probably at the Harp Lager-sponsored festival club and, as with the convivial crowd around them, they drink and chat, cigarette in hand.&lt;br /&gt;&lt;br /&gt;Helen Shapiro, in a white blouse and embroidered top accessorised with a festival ribbon, was a singing sensation in her day. Born in East London in 1946, she was a British singer whose repertoire included the blues, jazz, gospel and pop music. By the age of 15 she was England’s top recording star with &lt;em&gt;You Don’t Know&lt;/em&gt; and &lt;em&gt;Walking Back to Happiness&lt;/em&gt; earning her two gold discs. She toured and performed with the Beatles; John Lennon and Paul McCartney wrote the song &lt;em&gt;Misery&lt;/em&gt; for her but her then-management refused to let her record it. Shapiro’s film career was brief and she played herself in &lt;em&gt;Play It Cool&lt;/em&gt; (Michael Winner,1962) and the lead female role in &lt;em&gt;Its Trad, Dad!&lt;/em&gt; directed by Richard Lester (1962) who went on to direct the Beatles’ film &lt;em&gt;Hard Day’s Night&lt;/em&gt; (1964). Her stage career includes the West End play &lt;em&gt;Oliver&lt;/em&gt; by Lionel Bart and the part of Sally Bowles in &lt;em&gt;Cabaret&lt;/em&gt;. Later she toured with the British jazz trumpeter Humphrey Lyttelton and his band between 1984 and 2001, as well as touring with her one-woman show &lt;em&gt;Simply Shapiro&lt;/em&gt;. Shapiro published her autobiography &lt;em&gt;Walking Back to Happiness&lt;/em&gt; in 1993.&lt;br /&gt;&lt;br /&gt;Ferdy Mayne, on the right, cigar in hand, faces Breen as they chat. A festival ribbon is pinned to the left lapel of his jacket. Mayne had a prolific film and theatre career and achieved international recognition for his various portrayals of suave criminals, Nazi officers, or Hammer horror roles including head vampire in &lt;em&gt;The Fearless Vampire Killers&lt;/em&gt; (Roman Polanski, 1967) starring Sharon Tate; &lt;em&gt;Where Eagles Dare&lt;/em&gt; (Brian G Hutton, 1968); and &lt;em&gt;The Vampire Lovers&lt;/em&gt; (Roy Ward Baker, 1970) starring Kate O’Hara and Dawn Addams (who was a regular visitor to Cork in the early days of the film festival with her then-husband Prince Vittorio Massimo). &lt;br /&gt;&lt;br /&gt;Mayne later featured in &lt;em&gt;Trip to Vienna&lt;/em&gt; (Edgar Reitz, 1973) with Hannelore Elsner, who also came to Cork around the same time as this photo. (While this photo is marked 1970 it is possibly 1972 based on other items in the archive.) His final film role was as General Karl von Weber in the neo-Nazi political thriller &lt;em&gt;The Killers Within&lt;/em&gt; (Paul Leder, 1995) before he returned to England, where he died in 1998 following the onset of Parkinson’s Disease. (Tom Vallance, 'Obituary: Ferdy Mayne', &lt;em&gt;The Independent&lt;/em&gt;, 04.02.1998.)</text>
              </elementText>
            </elementTextContainer>
          </element>
          <element elementId="47">
            <name>Rights</name>
            <description>Information about rights held in and over the resource</description>
            <elementTextContainer>
              <elementText elementTextId="13998">
                <text>&lt;p&gt;©Finbarr O’Connell. All rights reserved. Please credit &lt;a href="https://corkfilmfest.org/"&gt;Cork International Film Festival&lt;/a&gt; &amp;amp; provide a link back to this site.&lt;/p&gt;</text>
              </elementText>
            </elementTextContainer>
          </element>
          <element elementId="44">
            <name>Language</name>
            <description>A language of the resource</description>
            <elementTextContainer>
              <elementText elementTextId="13999">
                <text>English, eng</text>
              </elementText>
            </elementTextContainer>
          </element>
        </elementContainer>
      </elementSet>
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    <tagContainer>
      <tag tagId="20">
        <name>Dermot Breen</name>
      </tag>
      <tag tagId="482">
        <name>Ferdy Mayne</name>
      </tag>
      <tag tagId="354">
        <name>Festival Club</name>
      </tag>
      <tag tagId="408">
        <name>Germany</name>
      </tag>
      <tag tagId="589">
        <name>Helen Shapiro</name>
      </tag>
      <tag tagId="514">
        <name>Richard Lester</name>
      </tag>
      <tag tagId="768">
        <name>The Beatles</name>
      </tag>
    </tagContainer>
  </item>
</itemContainer>
