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                <text>This black and white image shows three unidentified festival guests standing together smiling for the camera. All are in formal wear and the guest at the centre holds a St Finbarr statuette. We recognise the trellis in the background from other archive images which suggests that the picture was taken at the festival club, which was sponsored by Harp Lager. We can date the image to 1972 from the inscription on the base of the award - which was originally designed by the Cork-born sculptor Seamus Murphy.</text>
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                <text>Finbarr O'Connell </text>
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                <text>&lt;a href="https://corkfilmfest.ucc.ie/items/show/465"&gt;Festival guests with 1972 award&lt;/a&gt;</text>
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                <text>&lt;p&gt;©Finbarr O’Connell. All rights reserved. Please credit &lt;a href="https://corkfilmfest.org/"&gt;Cork International Film Festival&lt;/a&gt; &amp;amp; provide a link back to this site.&lt;/p&gt;</text>
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                  <text>Please see individual items for licencing information. ©Reproduction rights CIFF</text>
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                <text>Harpist Deirdre O'Callaghan and others in front of a poster advertising &lt;em&gt;Rendezvous at Bray&amp;nbsp;&lt;/em&gt;starring Anna Karina</text>
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                <text>Cork Film Festival, John Stapleton, Harry Towb, Deirdre O'Callaghan, Noel Carroll, Anna Karina, Festival Club</text>
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                <text>1972&#13;
Cork, Ireland</text>
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                <text>This is a black and white photo of film critic John Stapleton and actor Harry Towb with the harpist Deirdre O’Callaghan. The convivial group are at the festival club, standing in front of a poster advertising the French-Belgian film &lt;em&gt;Rendezvous at Bray&lt;/em&gt; (André Delvaux, 1971).&lt;br /&gt;&lt;br /&gt;Deirdre O’Callaghan is an international harpist and singer; she was married to the Irish athlete Noel Carroll from 1964 until his untimely death in 1998. Carroll was a middle-distance runner who competed for Ireland in the 1964 Toyko Olympics and the 1968 games in Mexico. He was one of the founders of the Dublin Marathon and the winner of the marathon now receives the &lt;em&gt;Noel Carroll Memorial Trophy &lt;/em&gt;in his name.&lt;br /&gt;&lt;br /&gt;While the photo is marked 1968, the &lt;em&gt;Rendezvous at Bray &lt;/em&gt;poster allows us to provisionally date the photo after the release of this film. &lt;em&gt;Rendezvous at Bray&lt;/em&gt; starred the Danish-French actor Anna Karina (1940-2019) who acted in several films made by her ex-husband Jean-Luc Goddard, including &lt;em&gt;A Woman Is a Woman&lt;/em&gt; (1961), &lt;em&gt;My Life to Live&lt;/em&gt; (1962), and &lt;em&gt;Band of Outsiders&lt;/em&gt; (1964) (with the &lt;a href="https://www.youtube.com/watch?v=u1MKUJN7vUk"&gt;iconic line-dance scene in the Parisian café with Sami Frey and Claude Brasseur&lt;/a&gt;!).&amp;nbsp;Karina also starred in Rainer Werner Fassbinder’s &lt;em&gt;Chinese Roulette&lt;/em&gt; (1976) which he supposedly wrote for her. The archive has some film stills from Fassbinder’s &lt;em&gt;Querelle&lt;/em&gt; (1982) with the actor Brad Davis and Günther Kaufmann – the sometimes lover of Fassbinder.</text>
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                <text>&lt;span&gt;This item is licensed under a&amp;nbsp;&lt;/span&gt;Creative Commons Attribution NonCommercial-NoDerivatives 4.0 International (CC BY-NC-ND 4.0) licence&lt;span&gt;.&amp;nbsp;Please credit the&amp;nbsp;&lt;/span&gt;Cork International Film Festival Archive&lt;span&gt; and provide a link back to the site.&lt;/span&gt;</text>
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                <text>&lt;p&gt;©Donal Sheehan. All rights reserved. Please credit &lt;a href="https://corkfilmfest.org/"&gt;Cork International Film Festival&lt;/a&gt; &amp;amp; provide a link back to this site.&lt;/p&gt;</text>
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                <text>This is a black and white photo of the English-born actor Carol Cleveland. Her long brown hair falls in curls around her shoulders as she smiles up at the camera. Behind her the lattice-work on the walls, similar to other images in the archive, indicate that this is possibly taken at the festival club.</text>
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                <text>&lt;p&gt;©Bord Fáilte Éireann (Irish Tourist Board). All rights reserved. Please credit &lt;a href="https://corkfilmfest.org/"&gt;Cork International Film Festival&lt;/a&gt; &amp;amp; provide a link back to this site.&lt;/p&gt;</text>
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                <text>This is a black and white photo of the English film producer Greg Smith in conversation with the Irish producer Noel Pearson and Ciara Scott. Given the background décor of Harp Lager-sponsored umbrellas, we might guess that this picture was taken at the festival club. Greg Smith, in a light-coloured jacket on the far right, has his back turned to us as he chats with his companions. &lt;br /&gt;&lt;br /&gt;While the identity of Pearson and Scott (whose name cannot be verified) (perhaps Ciarín Scott?) is noted with a question mark at the back of the photo, this is probably the Dublin-born film and theatrical producer Noel Pearson who worked on the Academy award-winning &lt;em&gt;My Left Foot&lt;/em&gt; (Jim Sheridan, 1989) starring Daniel Day-Lewis, Brenda Fricker, and Cyril Cusack. Pearson also produced &lt;em&gt;The Field&lt;/em&gt; (Jim Sheridan, 1990) starring Richard Harris, and &lt;em&gt;Dancing at Lughnasa&lt;/em&gt; (Pat O’Connor, 1998) with Meryl Streep, Kathy Burke, and Michael Gambon. He originally managed the Dubliners before moving into theatre and becoming the artistic director of the Abbey Theatre where he staged Brian Friel’s &lt;em&gt;Dancing at Lughnasa&lt;/em&gt;, before adapting it to film in 1998. His production company, Ferndale Productions, also produced &lt;em&gt;The Secret Scripture&lt;/em&gt; (Jim Sheridan, 2016), based on the novel by Sebastian Barry, and starring Rooney Mara and Vanessa Redgrave. &lt;br /&gt;&lt;br /&gt;The film producer Greg Smith was behind a series of X-rated successful movies during the 1970s including &lt;em&gt;Confessions of a Window Cleaner&lt;/em&gt; (Val Guest, 1974), &lt;em&gt;Confessions of a Pop Performer&lt;/em&gt; (Norman Cohen, 1975), &lt;em&gt;Confessions of a Driving Instructor&lt;/em&gt; (Claire Brough, 1976), and C&lt;em&gt;onfessions from a Holiday Camp&lt;/em&gt; (Norman Cohen, 1977). His collaborations with the Irish director Norman Cohen also include Spike Milligan’s war memoirs: &lt;em&gt;Adolf Hitler: My Part in His Downfall&lt;/em&gt; (Norman Cohen, 1973) and &lt;em&gt;Stand up, Virgin Soldiers&lt;/em&gt; (Norman Cohen, 1977) starring his then-wife Lynda Bellingham and Pamela Stephenson, both of whom are in the archive. (This photo is dated 1960 but we might guess that it is closer to the 1970s given other images of him in the archive.)</text>
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                <text>This is a black and white photo of festival guests at the Harp-sponsored festival club. The photo identifies the producer Greg Smith, William (Bill) Harpur, former film censor Sheamus Smith, Sheila Hampson, and Hillary O’Herlihy, the wife of Bill O’Herlihy. They are standing together, drink in hand, some smiling for the camera. &lt;br /&gt;&lt;br /&gt;Sheamus Smith, wearing his distinctive glasses, stands on the left. Smith started working as a cameraman at the newly formed &lt;em&gt;Teilifís Éireann&lt;/em&gt; (RTÉ) in 1961 before becoming a producer and director with the station in 1963. The following decade he was appointed managing director of Ardmore Film Studios in 1975 and was instrumental in setting up the Irish Film Board. Most notably he was appointed Irish film censor and would go on to become Ireland's longest-serving film censor in the history of the State (1986-2002). He published his memoir &lt;em&gt;Off Screen&lt;/em&gt; (Gill and MacMillan) in 2007.&lt;br /&gt;&lt;br /&gt;The producer Greg Smith (1939-2009), in a light-coloured jacket, stands on the far right of the photo. Smith owned a talent agency in London where he signed on the Irish film-maker Norman Cohen with whom turned a series of risqué best-selling paperback books, by Christopher Wood, into a successful run of ‘confessions’ movies including &lt;em&gt;Confessions of a Pop Performer&lt;/em&gt; (Norman Cohen, 1975), &lt;em&gt;Confessions of a Driving Instructor&lt;/em&gt; (Claire Brough, 1976), and &lt;em&gt;Confessions from a Holiday Camp&lt;/em&gt; (Norman Cohen, 1977). He went on to produce &lt;em&gt;Stand up, Virgin Soldiers&lt;/em&gt; (Norman Cohen, 1977), starring his then-wife Lynda Bellingham who was also at the Cork Film Festival. &lt;br /&gt;&lt;br /&gt;Hillary O’Herlihy was married to the Cork-born, Glasheen-raised, RTÉ television broadcaster, and Irish Film Board Chairman Bill O’Herlihy. O’Herlihy (1938-2015) was a household name best known for his sports coverage, along with co-presenters Eamon Dunphy and John Giles, on programmes such as &lt;em&gt;Sunday Sport&lt;/em&gt; and &lt;em&gt;Sports Stadium&lt;/em&gt; and in his time presented 10 FIFA World Cups and 10 Summer Olympic Games. He was a keen cinephile and brought this to his work at the Irish Film Board. O’Herlihy promoted the film industry and in particular, was keen to develop filming in rural Ireland. He also worked for some time as PR for the Cork Film Festival where he emphasised the focus on Irish film. (Niamh Horan, ‘Bill O’Herlihy: I lost millions from life savings’, &lt;em&gt;Irish Independent&lt;/em&gt;, 28.04.2013.)</text>
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                <text>&lt;p&gt;©Donal Sheehan. All rights reserved. Please credit &lt;a href="https://corkfilmfest.org/"&gt;Cork International Film Festival&lt;/a&gt; &amp;amp; provide a link back to this site.&lt;/p&gt;</text>
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          <element elementId="37">
            <name>Contributor</name>
            <description>An entity responsible for making contributions to the resource</description>
            <elementTextContainer>
              <elementText elementTextId="4854">
                <text>Finbarr O'Connell </text>
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          </element>
          <element elementId="42">
            <name>Format</name>
            <description>The file format, physical medium, or dimensions of the resource</description>
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              <elementText elementTextId="4856">
                <text>Photo&#13;
TIFF&#13;
JPEG</text>
              </elementText>
            </elementTextContainer>
          </element>
          <element elementId="38">
            <name>Coverage</name>
            <description>The spatial or temporal topic of the resource, the spatial applicability of the resource, or the jurisdiction under which the resource is relevant</description>
            <elementTextContainer>
              <elementText elementTextId="4857">
                <text>1972&#13;
Cork, Ireland</text>
              </elementText>
            </elementTextContainer>
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          <element elementId="39">
            <name>Creator</name>
            <description>An entity primarily responsible for making the resource</description>
            <elementTextContainer>
              <elementText elementTextId="8022">
                <text>University College Cork, Cork Film Festival, Finbarr O'Connell </text>
              </elementText>
            </elementTextContainer>
          </element>
          <element elementId="41">
            <name>Description</name>
            <description>An account of the resource</description>
            <elementTextContainer>
              <elementText elementTextId="12948">
                <text>This is a black and white photo of the singer Helen Shapiro in conversation with the actor Ferdy Mayne and festival director Dermot Breen. They are probably at the Harp Lager-sponsored festival club and, as with the convivial crowd around them, they drink and chat, cigarette in hand.&lt;br /&gt;&lt;br /&gt;Helen Shapiro, in a white blouse and embroidered top accessorised with a festival ribbon, was a singing sensation in her day. Born in East London in 1946, she was a British singer whose repertoire included the blues, jazz, gospel and pop music. By the age of 15 she was England’s top recording star with &lt;em&gt;You Don’t Know&lt;/em&gt; and &lt;em&gt;Walking Back to Happiness&lt;/em&gt; earning her two gold discs. She toured and performed with the Beatles; John Lennon and Paul McCartney wrote the song &lt;em&gt;Misery&lt;/em&gt; for her but her then-management refused to let her record it. Shapiro’s film career was brief and she played herself in &lt;em&gt;Play It Cool&lt;/em&gt; (Michael Winner,1962) and the lead female role in &lt;em&gt;Its Trad, Dad!&lt;/em&gt; directed by Richard Lester (1962) who went on to direct the Beatles’ film &lt;em&gt;Hard Day’s Night&lt;/em&gt; (1964). Her stage career includes the West End play &lt;em&gt;Oliver&lt;/em&gt; by Lionel Bart and the part of Sally Bowles in &lt;em&gt;Cabaret&lt;/em&gt;. Later she toured with the British jazz trumpeter Humphrey Lyttelton and his band between 1984 and 2001, as well as touring with her one-woman show &lt;em&gt;Simply Shapiro&lt;/em&gt;. Shapiro published her autobiography &lt;em&gt;Walking Back to Happiness&lt;/em&gt; in 1993.&lt;br /&gt;&lt;br /&gt;Ferdy Mayne, on the right, cigar in hand, faces Breen as they chat. A festival ribbon is pinned to the left lapel of his jacket. Mayne had a prolific film and theatre career and achieved international recognition for his various portrayals of suave criminals, Nazi officers, or Hammer horror roles including head vampire in &lt;em&gt;The Fearless Vampire Killers&lt;/em&gt; (Roman Polanski, 1967) starring Sharon Tate; &lt;em&gt;Where Eagles Dare&lt;/em&gt; (Brian G Hutton, 1968); and &lt;em&gt;The Vampire Lovers&lt;/em&gt; (Roy Ward Baker, 1970) starring Kate O’Hara and Dawn Addams (who was a regular visitor to Cork in the early days of the film festival with her then-husband Prince Vittorio Massimo). &lt;br /&gt;&lt;br /&gt;Mayne later featured in &lt;em&gt;Trip to Vienna&lt;/em&gt; (Edgar Reitz, 1973) with Hannelore Elsner, who also came to Cork around the same time as this photo. (While this photo is marked 1970 it is possibly 1972 based on other items in the archive.) His final film role was as General Karl von Weber in the neo-Nazi political thriller &lt;em&gt;The Killers Within&lt;/em&gt; (Paul Leder, 1995) before he returned to England, where he died in 1998 following the onset of Parkinson’s Disease. (Tom Vallance, 'Obituary: Ferdy Mayne', &lt;em&gt;The Independent&lt;/em&gt;, 04.02.1998.)</text>
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          <element elementId="47">
            <name>Rights</name>
            <description>Information about rights held in and over the resource</description>
            <elementTextContainer>
              <elementText elementTextId="13998">
                <text>&lt;p&gt;©Finbarr O’Connell. All rights reserved. Please credit &lt;a href="https://corkfilmfest.org/"&gt;Cork International Film Festival&lt;/a&gt; &amp;amp; provide a link back to this site.&lt;/p&gt;</text>
              </elementText>
            </elementTextContainer>
          </element>
          <element elementId="44">
            <name>Language</name>
            <description>A language of the resource</description>
            <elementTextContainer>
              <elementText elementTextId="13999">
                <text>English, eng</text>
              </elementText>
            </elementTextContainer>
          </element>
        </elementContainer>
      </elementSet>
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    <tagContainer>
      <tag tagId="20">
        <name>Dermot Breen</name>
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      <tag tagId="482">
        <name>Ferdy Mayne</name>
      </tag>
      <tag tagId="354">
        <name>Festival Club</name>
      </tag>
      <tag tagId="408">
        <name>Germany</name>
      </tag>
      <tag tagId="589">
        <name>Helen Shapiro</name>
      </tag>
      <tag tagId="514">
        <name>Richard Lester</name>
      </tag>
      <tag tagId="768">
        <name>The Beatles</name>
      </tag>
    </tagContainer>
  </item>
</itemContainer>
