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                <text>Sheamus Smith, Bill O'Herlihy and Roy Disney at a press conference</text>
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                <text>This is a black and white photo of a press briefing with Sheamus Smith, Bill O’Herlihy and Disney representative whom we have provisionally identified as Roy Disney. Smith and O’Herlihy are turned towards Disney listening to him as he speaks. Behind them we notice part of a sign advertising the Cork International Film Festival. &lt;br /&gt;&lt;br /&gt;Sheamus Smith, on the left in a leather jacket, started his career as a photojournalist for the now defunct Dublin paper &lt;em&gt;Evening Press&lt;/em&gt; before moving to Canada to study film and television. He returned to Ireland in 1961 to join the newly formed &lt;em&gt;Teilifís Éireann&lt;/em&gt; (RTÉ) starting as a cameraman before becoming a producer and director with the station in 1963. Later he was appointed managing director of Ardmore Film Studios in 1975 and was instrumental in setting up the Irish Film Board. Most notably he was appointed Irish film censor and would go on to become Ireland's longest-serving film censor in the history of the State (1986-2002). &lt;br /&gt;&lt;br /&gt;Sitting in the middle is the Cork-born RTÉ television broadcaster and Irish Film Board Chairman Bill O’Herlihy (1938-2015). He grew up in Glasheen in Cork and attended Glasheen Boys' national school, and St Finbarr’s College in Farranferris, leaving school at fifteen to join the &lt;em&gt;Cork Examiner&lt;/em&gt; before working for RTÉ. He would become a household name best known for his sports coverage, along with co-presenters Eamon Dunphy and John Giles, on programmes such as &lt;em&gt;Sunday Sport&lt;/em&gt; and &lt;em&gt;Sports Stadium&lt;/em&gt; and in his time presented 10 FIFA World Cups and 10 Summer Olympic Games. O’Herlihy was a keen cinephile and brought this to his work at the film board. O’Herlihy promoted the film industry and in particular was keen to develop filming in rural Ireland; he worked for some time as PR for the Cork Film Festival where he emphasised the focus on Irish film. (Niamh Horan, &lt;em&gt;Irish Independent&lt;/em&gt;, 28.04.2013.)&lt;br /&gt;&lt;br /&gt;Roy Disney, on the far right, cigar in hand, was the nephew of the late Walt Disney and a senior executive of the Walt Disney Company. Born in 1930 in California, he worked all his life for Walt Disney Productions and made a significant impact on its direction, striving to keep it from being split up by fellow Disney executives. Disney became an adopted native of Cork when he purchased Coolmain Castle near Killbrittan, Cork in the early 1990s and, being a keen sailor, was a regular visitor to Cork race week before his death in 2009.</text>
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                <text>Donal Sheehan</text>
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                <text>University College Cork, Cork Film Festival, Donal Sheehan </text>
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                <text>&lt;p&gt;©Donal Sheehan. All rights reserved. Please credit &lt;a href="https://corkfilmfest.org/"&gt;Cork International Film Festival&lt;/a&gt; &amp;amp; provide a link back to this site.&lt;/p&gt;</text>
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                <text>This is a black and white photo of festival delegates including the director Terry Gilliam, actor Linda Hayden, former film censor Sheamus Smith and unidentified companions. The convivial group are shown in a huddle in conversation; Gilliam and his companions are sitting on a table resting up against the wall while Sheamus Smith, arms folded, stands and listens to them. &lt;br /&gt;&lt;br /&gt;Smith was a producer and director at RTÉ around the time of this photo (1970s) before being appointed managing director of Ardmore Film Studios in 1975. He was instrumental in setting up the Irish Film Board and was later appointed Irish film censor, going on to become Ireland's longest-serving film censor in the history of the State from 1986 to 2002. Smith published his memoir &lt;em&gt;Off Screen&lt;/em&gt; (Gill &amp;amp; MacMillan) in 2007.&lt;br /&gt;&lt;br /&gt;We know Terry Gilliam as part of the Monty Python troupe and the long-running BBC sketch comedy &lt;em&gt;Monty Python’s Flying Circus&lt;/em&gt; (1969-1974), which relied heavily on his surreal animation skills. Around the time of this photo in the 1970s, Gilliam had co-directed &lt;em&gt;Monty Python and the Holy Grail&lt;/em&gt; (with Terry Jones, 1975) and soon after directed &lt;em&gt;Jabberwocky&lt;/em&gt; (1977), based on &lt;em&gt;Jabberwocky&lt;/em&gt; by Lewis Carroll, and starring Michael Palin. He has been nominated a number of times for an Academy Award for &lt;em&gt;Brazil&lt;/em&gt; (1985), &lt;em&gt;The Fisher King&lt;/em&gt; (1991), &lt;em&gt;12 Monkeys&lt;/em&gt; (1995), and &lt;em&gt;The Imaginarium of Doctor Parnassus&lt;/em&gt; (2009). &lt;br /&gt;&lt;br /&gt;Linda Hayden, on the far left of the photo in a knitted halter-neck dress, and holding a cigarette, came to Cork on a number of occasions and often features in the festival archive photographed with fellow actor Lynda Bellingham, with whom she starred in a series of &lt;em&gt;Confessions &lt;/em&gt;movies based on the series of risqué best-selling paperback books by Christopher Wood. Co-produced by Greg Smith and the Irish director Norman Cohen they include &lt;em&gt;Confessions of a Window Cleaner&lt;/em&gt; (Val Guest, 1974), and &lt;em&gt;Confessions from a Holiday Camp&lt;/em&gt; (Norman Cohen,1977) which starred both Bellingham and Hayden. She also appeared in horror movies including Hammer’s &lt;em&gt;Taste the Blood of Dracula&lt;/em&gt; (Peter Sasdy,1970) starring Christopher Lee, and &lt;em&gt;The Blood on Satan’s Claw&lt;/em&gt; (Piers Haggard, 1971).</text>
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                <text>&lt;span&gt;This item is licensed under a &lt;/span&gt;Creative Commons Attribution NonCommercial-NoDerivatives 4.0 International (&lt;a href="https://creativecommons.org/licenses/by-nc-nd/4.0/"&gt;CC BY-NC-ND 4.0&lt;/a&gt;) licence&lt;span&gt;.&amp;nbsp;Please credit the&amp;nbsp;&lt;/span&gt;Cork International Film Festival Archive&lt;span&gt; and provide a link back to the site.&lt;/span&gt;</text>
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                <text>This is a black and white photo of festival guests at the Harp-sponsored festival club. The photo identifies the producer Greg Smith, William (Bill) Harpur, former film censor Sheamus Smith, Sheila Hampson, and Hillary O’Herlihy, the wife of Bill O’Herlihy. They are standing together, drink in hand, some smiling for the camera. &lt;br /&gt;&lt;br /&gt;Sheamus Smith, wearing his distinctive glasses, stands on the left. Smith started working as a cameraman at the newly formed &lt;em&gt;Teilifís Éireann&lt;/em&gt; (RTÉ) in 1961 before becoming a producer and director with the station in 1963. The following decade he was appointed managing director of Ardmore Film Studios in 1975 and was instrumental in setting up the Irish Film Board. Most notably he was appointed Irish film censor and would go on to become Ireland's longest-serving film censor in the history of the State (1986-2002). He published his memoir &lt;em&gt;Off Screen&lt;/em&gt; (Gill and MacMillan) in 2007.&lt;br /&gt;&lt;br /&gt;The producer Greg Smith (1939-2009), in a light-coloured jacket, stands on the far right of the photo. Smith owned a talent agency in London where he signed on the Irish film-maker Norman Cohen with whom turned a series of risqué best-selling paperback books, by Christopher Wood, into a successful run of ‘confessions’ movies including &lt;em&gt;Confessions of a Pop Performer&lt;/em&gt; (Norman Cohen, 1975), &lt;em&gt;Confessions of a Driving Instructor&lt;/em&gt; (Claire Brough, 1976), and &lt;em&gt;Confessions from a Holiday Camp&lt;/em&gt; (Norman Cohen, 1977). He went on to produce &lt;em&gt;Stand up, Virgin Soldiers&lt;/em&gt; (Norman Cohen, 1977), starring his then-wife Lynda Bellingham who was also at the Cork Film Festival. &lt;br /&gt;&lt;br /&gt;Hillary O’Herlihy was married to the Cork-born, Glasheen-raised, RTÉ television broadcaster, and Irish Film Board Chairman Bill O’Herlihy. O’Herlihy (1938-2015) was a household name best known for his sports coverage, along with co-presenters Eamon Dunphy and John Giles, on programmes such as &lt;em&gt;Sunday Sport&lt;/em&gt; and &lt;em&gt;Sports Stadium&lt;/em&gt; and in his time presented 10 FIFA World Cups and 10 Summer Olympic Games. He was a keen cinephile and brought this to his work at the Irish Film Board. O’Herlihy promoted the film industry and in particular, was keen to develop filming in rural Ireland. He also worked for some time as PR for the Cork Film Festival where he emphasised the focus on Irish film. (Niamh Horan, ‘Bill O’Herlihy: I lost millions from life savings’, &lt;em&gt;Irish Independent&lt;/em&gt;, 28.04.2013.)</text>
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                <text>&lt;p&gt;©Donal Sheehan. All rights reserved. Please credit &lt;a href="https://corkfilmfest.org/"&gt;Cork International Film Festival&lt;/a&gt; &amp;amp; provide a link back to this site.&lt;/p&gt;</text>
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                <text>&lt;p&gt;©Donal Sheehan. All rights reserved. Please credit &lt;a href="https://corkfilmfest.org/"&gt;Cork International Film Festival&lt;/a&gt; &amp;amp; provide a link back to this site.&lt;/p&gt;</text>
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