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                <text> Francesca Annis and Jon Finch with Ivan Ruttle</text>
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                <text>This is a black and white photo of the actors Francesca Annis and Jon Finch with a guest identified as Ivan Ruttle. They are probably sitting under the Harp Lager-sponsored umbrella of the festival club and are chatting, drinking, and smoking as are the animated guests who sit at tables around them. &lt;br /&gt;&lt;br /&gt;Jon Finch, at the right of the photo in a leather jacket pulling on a cigarette, was an English film and stage actor born in 1942. He was a handsome in demand actor who achieved some notoriety for turning down plum roles when offered them due to a self-proclaimed lack of ambition, such as the chance to replace Sean Connery and play James Bond in &lt;em&gt;Live and Let Die&lt;/em&gt; (Guy Hamilton, 1973) (the part went to Roger Moore instead). In the early 1970s Finch played supporting roles in Hammer Horror productions &lt;em&gt;The Horror of Frankenstein&lt;/em&gt; (Jimmy Sangster, 1970) and &lt;em&gt;The Vampire Lovers&lt;/em&gt; (Roy Ward Baker, 1970) with Dawn Addams, a regular visitor to the Cork Film Festival in its earlier days, with her then-husband Prince Vittorio Massimo. But it was for his Shakespearean roles Finch would become well known. Most famously he played Macbeth in &lt;em&gt;Macbeth&lt;/em&gt; (aka &lt;em&gt;The Tragedy of Macbeth&lt;/em&gt;) (Roman Polanski, 1971) alongside his companion in this picture, Francesca Annis, as Lady Macbeth. Finch also starred in Alfred Hitchcock’s &lt;em&gt;Frenzy&lt;/em&gt; (1972) as well the BBC television productions &lt;em&gt;Richard II&lt;/em&gt; (1978), &lt;em&gt;Henry IV&lt;/em&gt;, parts one and two (1979), and as Don Pedro in the BBC’s &lt;em&gt;Much Ado About Nothing&lt;/em&gt; (1984). His final film role was in the historical drama &lt;em&gt;Kingdom of Heaven&lt;/em&gt; (Ridley Scott, 2005) alongside Orlando Bloom and Eva Green. Finch died in 2012, age 71. &lt;br /&gt;&lt;br /&gt;Francesca Annis, chatting to her companion in this picture, is also an English film and stage actor with a prolific film career. At the time of this photo she had just completed &lt;em&gt;Macbeth &lt;/em&gt;(1971) with Jon Finch, directed by Roman Polanski, whose wife Sharon Tate had recently been murdered in Hollywood by followers of Charles Manson. The film was financed by the &lt;em&gt;Playboy&lt;/em&gt; magazine editor Hugh Hefner as mainstream studios refused to finance it given Polanski’s mental state and yet, despite its critical mauling at the time, the film has gone on to garner plaudits for its somewhat accurate depiction of a bleak violent world. As Polanski notes: &lt;em&gt;… [the film] is violent. But the play is violent. And life is violent too&lt;/em&gt;. &lt;br /&gt;&lt;br /&gt;(Bernard Weinraub, ‘“If you don’t show violence the way it is,” says Roman Polanski, “I think that’s immoral and harmful. If you don’t upset people then that’s obscenity,’’’ &lt;em&gt;The New York Times&lt;/em&gt;, 12.12.1971; Ronald Bergan, ‘Jon Finch obituary: Charismatic star of Polanski’s Macbeth and Hitchcock’s Frenzy’, &lt;em&gt;The Guardian&lt;/em&gt;, 12.01.2013)</text>
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                <text>&lt;p&gt;©Finbarr O’Connell. All rights reserved. Please credit &lt;a href="https://corkfilmfest.org/"&gt;Cork International Film Festival&lt;/a&gt; &amp;amp; provide a link back to this site.&lt;/p&gt;</text>
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                <text>This is a black and white photo of the actor Francesca Annis with the actor Ferdy Mayne and Brian O’Connell. The three are standing in front of hoarding advertising the Harp Lager-sponsored festival. Annis, wearing a cheese-cloth style tunic, is turned to O’Connell chatting while Mayne smiles directly at the camera. &lt;br /&gt;&lt;br /&gt;O’Donnell, in dark-rimmed glasses, might be the legendary Cork publican Brian O’Donnell of the tiny Hi-B bar on Oliver Plunkett Street in Cork. Infamously he would throw you out of his bar, located at the top of a somewhat dilapidated staircase, if you took a call on your phone or caused him consternation in any way. O’Donnell died in 2019 attracting warm tributes from Cork and beyond. (Dan Buckley, ‘Friends in Hi places lie low when Brian’s on warpath,’ &lt;em&gt;Irish Examiner&lt;/em&gt;, 01.12.2012; Barry Roche, ‘Tributes paid to eccentric Cork publican Brian O’Donnell,’ &lt;em&gt;irishtimes.com&lt;/em&gt;, 16.12.2019.) &lt;br /&gt;&lt;br /&gt;Francesca Annis is an English film and stage actor born in 1945 who began acting when she was a teenager. She has a prolific film career and films include &lt;em&gt;Cleopatra&lt;/em&gt; (Joseph Mankiewicz,1962) when she was age 16, with Elizabeth Taylor; &lt;em&gt;Krull&lt;/em&gt; (Peter Yates, 1983), &lt;em&gt;Dune&lt;/em&gt; (David Lynch, 1984) and the directorial debut by Prince, &lt;em&gt;Under the Cherry Moon&lt;/em&gt; (1986). At the time of this photo she had just completed &lt;em&gt;Macbeth&lt;/em&gt; (1971) directed by the Polish-French film director Roman Polanski, whose wife, Sharon Tate, had been murdered recently in Hollywood by the Charles Manson family.&amp;nbsp; &lt;br /&gt;&lt;br /&gt;Annis is shown in this picture with Ferdy Mayne, who also worked with Polanski in &lt;em&gt;The Fearless Vampire Killers&lt;/em&gt; (Roman Polanski, 1967) starring Sharon Tate whom Polanski married the following year. Mayne had a prolific film and theatre career and achieved international recognition for his various portrayals of suave criminals, Nazi officers, or Hammer horror roles including &lt;em&gt;Where Eagles Dare&lt;/em&gt; (Brian G Hutton, 1968), and &lt;em&gt;The Vampire Lovers&lt;/em&gt; (Roy Ward Baker, 1970) starring Kate O’Hara and Dawn Addams, who was a regular visitor to Cork in the early days of the film festival with her then-husband Prince Vittorio Massimo. Mayne later featured in &lt;em&gt;Trip to Vienna&lt;/em&gt; (Edgar Reitz, 1973) with Hannelore Elsner, who also came to the Cork festival.</text>
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                <text>&lt;p&gt;©Bord Fáilte Éireann (Irish Tourist Board). All rights reserved. Please credit &lt;a href="https://corkfilmfest.org/"&gt;Cork International Film Festival&lt;/a&gt; &amp;amp; provide a link back to this site.&lt;/p&gt;</text>
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              <name>Title</name>
              <description>A name given to the resource</description>
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                  <text>Photographs </text>
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              <name>Subject</name>
              <description>The topic of the resource</description>
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                  <text>Cork Film Festival</text>
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              <name>Description</name>
              <description>An account of the resource</description>
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                  <text>A selection of photographs from the Cork International Film Festival </text>
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              <name>Creator</name>
              <description>An entity primarily responsible for making the resource</description>
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                  <text>University College Cork</text>
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              <name>Source</name>
              <description>A related resource from which the described resource is derived</description>
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                  <text>Cork Film Festival Collection</text>
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              <name>Publisher</name>
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                  <text>University College Cork</text>
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              <name>Date</name>
              <description>A point or period of time associated with an event in the lifecycle of the resource</description>
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                  <text>1956-</text>
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              <description>The spatial or temporal topic of the resource, the spatial applicability of the resource, or the jurisdiction under which the resource is relevant</description>
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                  <text>1956-&#13;
Cork, Ireland</text>
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              <description>The file format, physical medium, or dimensions of the resource</description>
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TIFF&#13;
JPEG</text>
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              <description>Information about rights held in and over the resource</description>
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                  <text>Please see individual items for licencing information. ©Reproduction rights CIFF</text>
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          <name>Original Format</name>
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              <text>Photo</text>
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          <name>Physical Dimensions</name>
          <description>The actual physical size of the original image</description>
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              <text>241 x 189mm</text>
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            <name>Title</name>
            <description>A name given to the resource</description>
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                <text>Michael Pertwee and Francesca Annis </text>
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            <name>Subject</name>
            <description>The topic of the resource</description>
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                <text>Cork Film Festival, Michael Pertwee, Francesca Annis </text>
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            <name>Source</name>
            <description>A related resource from which the described resource is derived</description>
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                <text>Cork Film Festival Collection</text>
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                <text>University College Cork</text>
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                <text>1972</text>
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            <name>Contributor</name>
            <description>An entity responsible for making contributions to the resource</description>
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                <text>Finbarr O'Connell</text>
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            <description>The file format, physical medium, or dimensions of the resource</description>
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                <text>Photo&#13;
TIFF&#13;
JPEG</text>
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            <name>Coverage</name>
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                <text>1972&#13;
Cork, Ireland</text>
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            <name>Creator</name>
            <description>An entity primarily responsible for making the resource</description>
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                <text>University College Cork, Cork Film Festival, Finbarr O'Connell </text>
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          <element elementId="41">
            <name>Description</name>
            <description>An account of the resource</description>
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                <text>This is a black and white photo of the English playwright and screenwriter Michael Pertwee and the English actor Francesca Annis. Pertwee, in a dinner jacket with a Cork Film International ribbon pinned to its left lapel, is turned towards Annis with his arm around her shoulders. He was an English playwright and screenwriter from a prolific family of actors including his father the actor and playwright Roland Pertwee, his brother the actor Jon Pertwee, best known for his Dr Who, and his nephew the actor Sean Pertwee. As well as TV work Michael Pertwee’s screenwriting credits include Richard Lester’s &lt;em&gt;A Funny Thing Happened on the Way to the Forum&lt;/em&gt; (1966) with an award-winning score by Stephen Sondheim and &lt;em&gt;One More Time&lt;/em&gt; (Jerry Lewis, 1970) starring Sammy Davis Jr. At the time of this photo, dated 1972, he had just finished &lt;em&gt;Digby, the Biggest Dog in the World&lt;/em&gt; (Joseph McGrath, 1973) with an all-star cast including Spike Milligan and Milo O’Shea. &lt;br /&gt;&lt;br /&gt;Annis, in a light-coloured cheesecloth tunic, was in Cork with her co-star Jon Finch from Roman Polanski’s &lt;em&gt;Macbeth&lt;/em&gt; (1971). She started acting as a teenager with &lt;em&gt;Cleopatra&lt;/em&gt; (Joseph Mankiewicz,1962) starring Elizabeth Taylor and went on to have a prolific film career including roles in &lt;em&gt;Krull&lt;/em&gt; (Peter Yates, 1983), &lt;em&gt;Dune&lt;/em&gt; (David Lynch, 1984) and the directorial debut by Prince, &lt;em&gt;Under the Cherry Moon&lt;/em&gt; (1986). Her most recent film &lt;em&gt;King of Thieves&lt;/em&gt; (James Marsh, 2018) is based on the Hatton Garden safe deposit heist, starring Michael Caine, Tom Courtenay, Michael Gambon and Jim Broadbent.</text>
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            <description>Information about rights held in and over the resource</description>
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              <elementText elementTextId="14197">
                <text>&lt;p&gt;©Finbarr O’Connell. All rights reserved. Please credit &lt;a href="https://corkfilmfest.org/"&gt;Cork International Film Festival&lt;/a&gt; &amp;amp; provide a link back to this site.&lt;/p&gt;</text>
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            <name>Language</name>
            <description>A language of the resource</description>
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                <text>English, eng</text>
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        <name>Francesca Annis</name>
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        <name>Michael Pertwee</name>
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