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                <text>Singing sensation Helen Shapiro with the actor Ferdy Mayne and Dermot Breen</text>
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                <text>This is a black and white photo of the singer Helen Shapiro in conversation with the actor Ferdy Mayne and festival director Dermot Breen. They are probably at the Harp Lager-sponsored festival club and, as with the convivial crowd around them, they drink and chat, cigarette in hand.&lt;br /&gt;&lt;br /&gt;Helen Shapiro, in a white blouse and embroidered top accessorised with a festival ribbon, was a singing sensation in her day. Born in East London in 1946, she was a British singer whose repertoire included the blues, jazz, gospel and pop music. By the age of 15 she was England’s top recording star with &lt;em&gt;You Don’t Know&lt;/em&gt; and &lt;em&gt;Walking Back to Happiness&lt;/em&gt; earning her two gold discs. She toured and performed with the Beatles; John Lennon and Paul McCartney wrote the song &lt;em&gt;Misery&lt;/em&gt; for her but her then-management refused to let her record it. Shapiro’s film career was brief and she played herself in &lt;em&gt;Play It Cool&lt;/em&gt; (Michael Winner,1962) and the lead female role in &lt;em&gt;Its Trad, Dad!&lt;/em&gt; directed by Richard Lester (1962) who went on to direct the Beatles’ film &lt;em&gt;Hard Day’s Night&lt;/em&gt; (1964). Her stage career includes the West End play &lt;em&gt;Oliver&lt;/em&gt; by Lionel Bart and the part of Sally Bowles in &lt;em&gt;Cabaret&lt;/em&gt;. Later she toured with the British jazz trumpeter Humphrey Lyttelton and his band between 1984 and 2001, as well as touring with her one-woman show &lt;em&gt;Simply Shapiro&lt;/em&gt;. Shapiro published her autobiography &lt;em&gt;Walking Back to Happiness&lt;/em&gt; in 1993.&lt;br /&gt;&lt;br /&gt;Ferdy Mayne, on the right, cigar in hand, faces Breen as they chat. A festival ribbon is pinned to the left lapel of his jacket. Mayne had a prolific film and theatre career and achieved international recognition for his various portrayals of suave criminals, Nazi officers, or Hammer horror roles including head vampire in &lt;em&gt;The Fearless Vampire Killers&lt;/em&gt; (Roman Polanski, 1967) starring Sharon Tate; &lt;em&gt;Where Eagles Dare&lt;/em&gt; (Brian G Hutton, 1968); and &lt;em&gt;The Vampire Lovers&lt;/em&gt; (Roy Ward Baker, 1970) starring Kate O’Hara and Dawn Addams (who was a regular visitor to Cork in the early days of the film festival with her then-husband Prince Vittorio Massimo). &lt;br /&gt;&lt;br /&gt;Mayne later featured in &lt;em&gt;Trip to Vienna&lt;/em&gt; (Edgar Reitz, 1973) with Hannelore Elsner, who also came to Cork around the same time as this photo. (While this photo is marked 1970 it is possibly 1972 based on other items in the archive.) His final film role was as General Karl von Weber in the neo-Nazi political thriller &lt;em&gt;The Killers Within&lt;/em&gt; (Paul Leder, 1995) before he returned to England, where he died in 1998 following the onset of Parkinson’s Disease. (Tom Vallance, 'Obituary: Ferdy Mayne', &lt;em&gt;The Independent&lt;/em&gt;, 04.02.1998.)</text>
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                <text>&lt;p&gt;©Finbarr O’Connell. All rights reserved. Please credit &lt;a href="https://corkfilmfest.org/"&gt;Cork International Film Festival&lt;/a&gt; &amp;amp; provide a link back to this site.&lt;/p&gt;</text>
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                <text>This is a black and white photo of the American film director Richard Lester presenting a celebration bottle of Domecq’s cream sherry to the festival director Dermot Breen. Lester is pointing at his name which is printed on the label of the bottle. &lt;br /&gt;&lt;br /&gt;Born in 1932, Richard (aka Dick) Lester is best known for his work with The Beatles. Lester’s first short film &lt;em&gt;The Running Jumping &amp;amp; Standing Still Film&lt;/em&gt; (1959), with Spike Milligan and Peter Sellers, brought him to the attention of The Beatles who chose him to make &lt;em&gt;A Hard Day’s Night&lt;/em&gt; in 1964. His earlier film, &lt;em&gt;It’s Trad, Dad&lt;/em&gt; (1962), starred the singing sensation Helen Shapiro who came to the Cork Film Festival in 1972. Lester continued to work with the Beatles directing &lt;em&gt;Help&lt;/em&gt; in 1965 which was a commercial success. In 1966 he directed the musical comedy film &lt;em&gt;A Funny Thing Happened on the Way to the Forum&lt;/em&gt; with a screenplay by Michael Pertwee who came to the Cork Film Festival in the early seventies. Interestingly the cinematography on &lt;em&gt;A Funny Thing Happened on the Way to the Forum&lt;/em&gt; was by Nicolas Roeg who went on to become one of England’s influential film directors with &lt;em&gt;Don’t Look Now&lt;/em&gt; (1973), &lt;em&gt;The Man Who Fell to Earth&lt;/em&gt; (1976) starring David Bowie, and &lt;em&gt;The Witches&lt;/em&gt; (1990).&amp;nbsp; &lt;br /&gt;&lt;br /&gt;Around the time of this photo, which is dated 1975, Lester had finished &lt;em&gt;The Four Musketeers&lt;/em&gt; (1974) starring Oliver Reed and Raquel Welsh, and &lt;em&gt;Royal Flash&lt;/em&gt; (1975) with Malcolm McDowell and Oliver Reed. In 1976 he directed the British-American romance and adventure film &lt;em&gt;Robin and Marian&lt;/em&gt; starring Sean Connery, Audrey Hepburn and the English actor Robert Shaw who also came to the Cork Film Festival in the early seventies. Lester's later films include the commercially successful &lt;em&gt;Superman II&lt;/em&gt; (1980) and &lt;em&gt;Superman III&lt;/em&gt; (1983). For his final film Lester returned to the Beatles with &lt;em&gt;Get Back&lt;/em&gt; (1991) – a concert movie following Paul McCartney on his 1989-1990 World Tour. &lt;br /&gt;&lt;br /&gt;In 2010 Lester donated his large archive of film-related materials to the British Film Institute (BFI). The archive consisting of letters, scripts, notes, and photographs is available to the public via their Special Collections. (Mark Brown, ‘Richard Lester archive donated to BFI full of riches,’ &lt;em&gt;The Guardian&lt;/em&gt;, 23.08.2020.)</text>
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                <text>&lt;a href="https://corkfilmfest.ucc.ie/items/show/425"&gt;Robert Shaw and Vida Breen at the Capitol Cinema, Cork&lt;/a&gt;</text>
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