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                <text>Mollie Peters with Dermot Breen</text>
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                <text>1968&#13;
Cork, Ireland</text>
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                <text>This is one of a few colour photos in the archive. It shows the English actor Mollie Peters, sitting with the festival director Dermot Breen. They are seated side-by-side at a dinner table and Peters, wearing an emerald green dress, is shown in profile looking towards Breen. Breen, in a dinner suit, is leaning on the table, holding a cigarette in his yellowed fingers, and is half-turned towards Peters. In front of them, we note the detritus of dinner, together with glasses of wine. &lt;br /&gt;&lt;br /&gt;Mollie (sometimes spelled 'Molly') Peters was the stage name of Vivien Mollie Rudderham, an English actor best known for her role as Nurse Patricia Fearing, opposite Sean Connery's 007 in &lt;em&gt;Thunderball&lt;/em&gt; (Terence Young, 1965). She was famously the first Bond girl to take off her clothes on-screen, earning the franchise its first X-rating. Several scenes were cut at the request of the British Board of Film Classification (BBFC) for their risqué nature. Despite the success of &lt;em&gt;Thunderball,&lt;/em&gt; Peters went on to have a short-lived film career, mainly due to contractual disagreements with her agent that forestalled her career.</text>
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                <text> Mollie Peters on a car in front of St Fin Barre's Cathedral </text>
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                <text>1968&#13;
Cork, Ireland</text>
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                <text>This is a black and white photo of the English actor Mollie Peters sitting on the bonnet of a classic Mercedes-Benz car. Dressed in white trousers and a checkered shirt, Peters is leaning back and holding a local guide book of Cork while smiling at the camera; her legs dangle over the chrome trim of the car’s radiator grill, next to the iconic Mercedes-Benz three-pointed star. Two small Irish flags adorn the car either side of the grill which might suggest that this was the Lord Mayor’s car. &lt;br /&gt;&lt;br /&gt;Behind Peters in the distance we can see the imposing three spires of St Fin Barre’s Cathedral. Designed by William Burges, and built 1827-81 from Cork limestone, the cathedral is located on the south side of the River Lee in Cork City. Burges designed it to be compact in a French Gothic style, with a narrow interior that soars to a great height. Its three spires stand out for their intricate architectural details including gargoyles and such embellishments throughout. Approximately 844 sculptures adorn the interior and exterior including 32 gargoyles and the twelve Apostles of The Last Judgement at the Tympanum over the entrance door. In this photo we cannot really make out the copper gilt-edged Resurrection Angle, also known fondly as the 'Goldie Angel' by locals, which adorns the main spire in place of a cross - a gift from the Victorian architect to the city. &lt;br /&gt;&lt;br /&gt;Mollie Peters was the stage name of Vivien Mollie Humphrey, an English actor best known for her role as Nurse Patricia Fearing opposite Sean Connery's 007 in &lt;em&gt;Thunderball&lt;/em&gt; (Terence Young, 1965). She was infamous for being the first Bond girl to take off her clothes on-screen - earning the franchise its first X-rating. Peters had a short-lived film career due mainly to contractual disagreements with her agent which forestalled her career.</text>
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                <text>&lt;span&gt;This item is licensed under a&amp;nbsp;&lt;/span&gt;Creative Commons Attribution NonCommercial-NoDerivatives 4.0 International (CC BY-NC-ND 4.0) licence&lt;span&gt;.&amp;nbsp;Please credit the&amp;nbsp;&lt;/span&gt;Cork International Film Festival Archive&lt;span&gt; and provide a link back to the site.&lt;/span&gt;</text>
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                <text>This is a black and white photo of a discussion panel that includes the Irish television presenter Bunny Carr, the screen writer Wolf Mankowitz, Joan Long and two others unidentified. The panel is part of a 1970 symposium for the Cork Film Festival. The five panellists are sitting in a semi-circle on the stage in front of long-armed microphones, and include an unidentified priest on the far right sitting next to Long. Jugs of water and ashtrays are placed on the wooden tables in front of them and they all appear to be listening attentively to a speaker off-camera. &lt;br /&gt;&lt;br /&gt;Bunny Carr is sitting on the far left, hands folded at his chin, looking to his left across the stage. Born in Dublin, Bernard ‘Bunny’ Carr (1927-2018) was a popular RTÉ television presenter during the 1960s and 1970s. He also founded Carr Communications which is said to have trained six of Ireland’s Taoisigh (prime ministers). However it is as a television host of popular television shows that he is fondly remembered including, &lt;em&gt;Teen Talk&lt;/em&gt;, &lt;em&gt;The Politicians&lt;/em&gt;, &lt;em&gt;Going Strong&lt;/em&gt;, and most famously the quizmaster of &lt;em&gt;Quicksilver&lt;/em&gt;, where he was accompanied by the musical cues of organist Norman Metcalfe, which made its debut in 1965. (‘Bunny the man who stopped the lights – then showed politicians how to deal with life in spotlight’, &lt;em&gt;Irish Times&lt;/em&gt;, 21.09.2018.)&amp;nbsp;&lt;br /&gt;&lt;br /&gt;Wolf Mankowitz (1924-1998), sitting on the right in this picture wearing a white shirt, with a cigarette in hand, was an award-winning English screenwriter and author known for his novels, plays and screenplays. He was of Jewish descent, born in the East End of London. However, following altercations with the English revenue, he moved to Ireland to avail of Charles Haughey’s generous tax policy towards artists and settled in Cork in 1971. Mankowitz was a successful screenwriter in the 1950s and wrote screenplays for his own works and adapted others including &lt;em&gt;A Kid for Two Farthings&lt;/em&gt; (Carol Reed, 1953) and &lt;em&gt;The Millionairess&lt;/em&gt; (Anthony Asquith, 1960) starring Sophia Loren and Peter Sellers. He was one of the screenwriters on the first James Bond film &lt;em&gt;Dr No&lt;/em&gt; (Terence Young, 1962) but asked for his name to be removed from the credits as he thought it poor; he also collaborated on the Bond movie &lt;em&gt;Casino Royale&lt;/em&gt; (Martin Campbell, 1976). &lt;br /&gt;&lt;br /&gt;In 1972 Mankowitz wrote and directed &lt;em&gt;The Hebrew Lesson&lt;/em&gt;, starring Milo O’Shea, Patrick Dawson and Harry Towb (who also appears in this archive). Set in Cork in 1921, during the War of Independence, it is about the friendship between an IRA man escaping pursuit from the Black and Tans, and an elderly man at a synagogue. He wrote the screenplay having being told the story about an IRA man hiding in a small synagogue in Dublin’s Lennox Street and it was shown at the Cork Film Festival in 1972. (TCD Irish Film and TV Research Online: tcd.ie/irishfilm.) &lt;br /&gt;&lt;br /&gt;Interestingly the &lt;em&gt;Guardian&lt;/em&gt; newspaper reported that the British M15 kept a security file on Mankowitz for more than a decade suspecting that he was a possible communist agent following his marriage to Ann Seligmann, in 1944, as she was a communist party member. The investigation was dropped when the M15 informant insisted that Mankowitz’s leftwing sympathies had disappeared noting that “He comes to the college every morning with a copy of the Times.” (Alan Travis, &lt;em&gt;The Guardian&lt;/em&gt;, 26.08.2010.)</text>
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                <text>&lt;p&gt;©Donal Sheehan. All rights reserved. Please credit &lt;a href="https://corkfilmfest.org/"&gt;Cork International Film Festival&lt;/a&gt; &amp;amp; provide a link back to this site.&lt;/p&gt;</text>
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                  <text>Please see individual items for licencing information. ©Reproduction rights CIFF</text>
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                <text>Jane Seymour, Patrick Wayne and Carol Cleveland with Lord Mayor Pearse Wyse </text>
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                <text>This is a black and white photo of the actor Jane Seymour signing the visitors’ book in the Lord Mayor’s Office at the Cork City Hall. The Lord Mayor Pearse Wyse (1928-2009) stands on the right which dates this photo to his mayoralty 1974-1975. The reception includes the actor Patrick Wayne on the left and the Monty Python actor Carol Cleveland.&lt;br /&gt;&lt;br /&gt;Cleveland, standing next to Wayne in this picture, was the only woman associated with the Monty Python show and would appear in thirty of the forty-five Monty Python episodes as well as the Monty Python films &lt;em&gt;Monty Python and the Holy Grail&lt;/em&gt; (Terry Gilliam, Terry Jones 1975), &lt;em&gt;Monty Python's Life of Brian&lt;/em&gt; (Terry Jones, 1979) and &lt;em&gt;Monty Python's The Meaning of Life&lt;/em&gt; (Terry Jones, 1983). In 2014 she published &lt;em&gt;Pom Poms Up! From Puberty to the Pythons and Beyond&lt;/em&gt; (Dynasty Press Ltd.) which was well received by the critics. &lt;br /&gt;&lt;br /&gt;Jane Seymour, in a light-coloured polo neck jumper, is turned to the camera smiling as she signs the visitors' book. Born in 1951, Seymour has an extensive stage and screen career. She is probably best known for the James Bond film &lt;em&gt;Live and Let Die&lt;/em&gt; (Guy Hamilton, 1973), &lt;em&gt;Somewhere in Time&lt;/em&gt; (Jeannot Szwarc, 1980) with Christopher Plummer and Christopher Reeve, and the miniseries &lt;em&gt;East Of Eden&lt;/em&gt; (1981) based on John Steinbeck’s 1952 novel, and which won her a Golden Globe award. She has numerous television credits including &lt;em&gt;The Onedin Line&lt;/em&gt; (1972) with Peter Gilmore (who also came to the Cork Film Festival), &lt;em&gt;Onassis: The Richest Man in the World&lt;/em&gt; (1988), for which she won an Emmy Award, and the long-running show &lt;em&gt;Dr Quinn, Medicine Woman&lt;/em&gt; (1993-1998). Seymour also worked alongside Patrick Wayne on the fantasy film &lt;em&gt;Sinbad and the Eye of the Tiger&lt;/em&gt; (Sam Wanamaker, 1977) which was made in 1975 but not released until 1977 because of the time involved making the stop motion animation sequences. &lt;br /&gt;&lt;br /&gt;A bearded Patrick Wayne, stands on the left of this photo. Born in 1939, he is the son of the actor John Wayne (1907-1979) famous for his Western films. Patrick Wayne would act in eleven films alongside his father including the John Ford classics: &lt;em&gt;The Quiet Man&lt;/em&gt; (1952), &lt;em&gt;Mister Roberts&lt;/em&gt; (1955), &lt;em&gt;The Long Gray Line&lt;/em&gt; (1955), and &lt;em&gt;The Searchers&lt;/em&gt; (1956). Patrick Wayne was working on the fantasy film &lt;em&gt;Sinbad and the Eye of the Tiger&lt;/em&gt; (Sam Wanamaker, 1977) with Jane Seymour when he was asked to come to Cork to represent his father’s new movie &lt;em&gt;Brannigan&lt;/em&gt; (Douglas Hickox, 1975) starring John Wayne, Richard Attenborough and Judy Geeson – all of whom came to the Cork Film Festival. Interestingly the screenplay of &lt;em&gt;Brannigan&lt;/em&gt; was by Christopher Trumbo, son of the screenwriter Dalton Trumbo – one of the ‘Hollywood Ten’ who had been blacklisted in Hollywood during the 1940s and 1950s. (Pádraic Killeen, ‘Duke’s sons guest of honour at John Ford Ireland Symposium,’ &lt;em&gt;Irish Examiner&lt;/em&gt;, 04.06.2013)</text>
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                <text>&lt;p&gt;©Bateman Photography. All rights reserved. Please credit &lt;a href="https://corkfilmfest.org/"&gt;Cork International Film Festival&lt;/a&gt; &amp;amp; provide a link back to this site.&lt;/p&gt;</text>
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TIFF&#13;
JPEG</text>
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                <text>1974&#13;
Cork, Ireland</text>
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            <elementTextContainer>
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                <text>This is a black and white photo of the actor Jane Seymour signing the visitors’ book in the Lord Mayor’s Office at the Cork City Hall. The Lord Mayor Pearse Wyse (1928-2009) stands on the right which dates this photo to his mayoralty 1974-1975. The reception includes the actor Patrick Wayne on the left and, perched on the arm of the chair, the Monty Python actor Carol Cleveland. The photo also identifies the TV director and author Christopher Fitz-Simon and Pat Roche from the Cork-Kerry Tourism Board. Fitz-Simon was a drama director with RTÉ who has held posts as artistic director of the Lyric, Abbey, and Peacock Theatres. In 2007 he published his well-received memoir of Ireland in the 1940s &lt;em&gt;Eleven Houses&lt;/em&gt; (Penguin, Ireland). He stands behind Jane Seymour in this picture, looking down, as she looks up and smiles at the camera. &lt;br /&gt;&lt;br /&gt;Born in 1951, Seymour has an extensive stage and screen career. She is probably best known for roles in the James Bond film &lt;em&gt;Live and Let Die&lt;/em&gt; (Guy Hamilton, 1973), &lt;em&gt;Somewhere in Time&lt;/em&gt; (Jeannot Szwarc, 1980) with Christopher Plummer and Christopher Reeve, and the miniseries &lt;em&gt;East Of Eden&lt;/em&gt; (1981) winning her a Golden Globe. She has numerous television credits including &lt;em&gt;The Onedin Line&lt;/em&gt; (1972) with Peter Gilmore (who also came to the Cork Film Festival), &lt;em&gt;Onassis: The Richest Man in the World&lt;/em&gt; (1988), for which she won an Emmy Award, and the long-running show &lt;em&gt;Dr Quinn, Medicine Woman&lt;/em&gt; (1993-1998). Seymour also worked alongside Patrick Wayne on the fantasy film &lt;em&gt;Sinbad and the Eye of the Tiger&lt;/em&gt; (Sam Wanamaker, 1977). &lt;br /&gt;&lt;br /&gt;A bearded Patrick Wayne, stands on the left of this photo. Born in 1939, he is the son of the actor John Wayne (1907-1979) and would act in eleven films alongside his father including the John Ford classics: &lt;em&gt;The Quiet Man&lt;/em&gt; (1952), &lt;em&gt;Mister Roberts&lt;/em&gt; (1955), &lt;em&gt;The Long Gray Line&lt;/em&gt; (1955), and &lt;em&gt;The Searchers&lt;/em&gt; (1956). Patrick Wayne was working on the fantasy film &lt;em&gt;Sinbad and the Eye of the Tiger&lt;/em&gt; with Jane Seymour when he was asked to come to Cork to represent his father’s new movie &lt;em&gt;Brannigan&lt;/em&gt; (Douglas Hickox, 1975) starring John Wayne, Richard Attenborough and Judy Geeson – all of whom came to the Cork Film Festival. (Pádraic Killeen, ‘Duke’s sons guest of honour at John Ford Ireland Symposium,’ &lt;em&gt;Irish Examiner&lt;/em&gt;, 04.06.2013)</text>
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                <text>English, eng</text>
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            <name>Rights</name>
            <description>Information about rights held in and over the resource</description>
            <elementTextContainer>
              <elementText elementTextId="12639">
                <text>&lt;p&gt;©Bateman Photography. All rights reserved. Please credit &lt;a href="https://corkfilmfest.org/"&gt;Cork International Film Festival&lt;/a&gt; &amp;amp; provide a link back to this site.&lt;/p&gt;</text>
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        <name>Carol Cleveland</name>
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      <tag tagId="806">
        <name>City Hall</name>
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        <name>James Bond</name>
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        <name>Jane Seymour</name>
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        <name>Lord Mayor</name>
      </tag>
      <tag tagId="349">
        <name>Monty Python</name>
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      <tag tagId="507">
        <name>Patrick Wayne</name>
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      <tag tagId="277">
        <name>Pearse Wyse</name>
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        <name>RTE</name>
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              <name>Title</name>
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                  <text>Photographs </text>
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                  <text>A selection of photographs from the Cork International Film Festival </text>
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              <name>Creator</name>
              <description>An entity primarily responsible for making the resource</description>
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                  <text>University College Cork</text>
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              <name>Source</name>
              <description>A related resource from which the described resource is derived</description>
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                  <text>Cork Film Festival Collection</text>
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              <name>Publisher</name>
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                  <text>University College Cork</text>
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              <name>Date</name>
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                  <text>1956-</text>
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                  <text>1956-&#13;
Cork, Ireland</text>
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              <name>Format</name>
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                <elementText elementTextId="90">
                  <text>Photo&#13;
TIFF&#13;
JPEG</text>
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              <name>Rights</name>
              <description>Information about rights held in and over the resource</description>
              <elementTextContainer>
                <elementText elementTextId="8637">
                  <text>Please see individual items for licencing information. ©Reproduction rights CIFF</text>
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      <name>Still Image</name>
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          <name>Original Format</name>
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          <elementTextContainer>
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              <text>Photo</text>
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          <name>Physical Dimensions</name>
          <description>The actual physical size of the original image</description>
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              <text>  245 x 205mm</text>
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          <element elementId="50">
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            <description>A name given to the resource</description>
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              <elementText elementTextId="2715">
                <text>Wolf Mankowitz at the Savoy Cinema, Cork</text>
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            <name>Subject</name>
            <description>The topic of the resource</description>
            <elementTextContainer>
              <elementText elementTextId="2716">
                <text>Cork Film Festival, Wolf Mankowitz, Savoy Cinema, James Bond</text>
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          <element elementId="41">
            <name>Description</name>
            <description>An account of the resource</description>
            <elementTextContainer>
              <elementText elementTextId="2717">
                <text>This is a black and white photo of the English screenwriter Wolf Mankowtiz and companions at the Savoy Cinema in Cork. The imposing figure of Mankowitz, dressed in all black, stands on the right of the photo, slightly turned to his left whilst in conversation with another man. To the left of the photo are two unidentified companions, a younger man with curly dark hair, wearing a velvet jacket accessorised with a scarf at his neck, and in front of him we can just make out the features of a young lady with similar dark curly hair, looking down with a smile on her lips. &lt;br /&gt;&lt;br /&gt;Mankowitz (1924-1998) was an award-winning English screenwriter and author known for his novels, plays, and screenplays. Mankowitz was of Jewish descent, born in the East End of London. However, following altercations with the English revenue, he moved to Ireland to avail of Charles Haughey’s generous tax policy towards artists and settled in Cork in 1971. He was a successful screenwriter in the 1950s and wrote screenplays for his own works and adapted others including &lt;em&gt;A Kid for Two Farthings&lt;/em&gt; (Carol Reed, 1953) and &lt;em&gt;The Millionairess&lt;/em&gt; (Anthony Asquith, 1960) starring Sophia Loren and Peter Sellers. He was one of the screenwriters on the first James Bond film &lt;em&gt;Dr No&lt;/em&gt; (Terence Young, 1962) but asked for his name to be removed from the credits as he thought it poor; he also collaborated on the Bond movie &lt;em&gt;Casino Royale&lt;/em&gt; (Martin Campbell, 1976). &lt;br /&gt;&lt;br /&gt;In 1972 Mankowitz wrote and directed &lt;em&gt;The Hebrew Lesson&lt;/em&gt; starring Milo O’Shea, Patrick Dawson, and Harry Towb (who can also be found in this archive). The film is set in Cork in 1921 during the War of Independence and is about the friendship between an IRA man, escaping pursuit from the Black and Tans, and an elderly man at a synagogue. Mankowitz wrote the screenplay having being told the story about an IRA man hiding in a small synagogue in Dublin’s Lennox Street (TCD Irish Film and TV Research Online: tcd.ie/irishfilm).&amp;nbsp; It was shown at the Cork Film Festival in 1972 and, despite the photo being marked 1960s, might suggest that the photo was taken around then. &lt;br /&gt;&lt;br /&gt;Interestingly the &lt;em&gt;Guardian&lt;/em&gt;&amp;nbsp;reported that the British M15 kept a security file on Mankowitz for more than a decade suspecting that he was a possible communist agent following his marriage to Ann Seligmann, in 1944, as she was a communist party member. The investigation was dropped when the M15 informant insisted that Mankowitz’s leftwing sympathies had disappeared noting that “He comes to the college every morning with a copy of the &lt;em&gt;Times&lt;/em&gt;.” (Alan Travis, &lt;em&gt;The Guardian&lt;/em&gt;, 26.08.2010.)</text>
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            <name>Source</name>
            <description>A related resource from which the described resource is derived</description>
            <elementTextContainer>
              <elementText elementTextId="2719">
                <text>Cork Film Festival Collection</text>
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          <element elementId="45">
            <name>Publisher</name>
            <description>An entity responsible for making the resource available</description>
            <elementTextContainer>
              <elementText elementTextId="2720">
                <text>University College Cork</text>
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            </elementTextContainer>
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          <element elementId="37">
            <name>Contributor</name>
            <description>An entity responsible for making contributions to the resource</description>
            <elementTextContainer>
              <elementText elementTextId="2721">
                <text>Finbarr O'Connell</text>
              </elementText>
            </elementTextContainer>
          </element>
          <element elementId="42">
            <name>Format</name>
            <description>The file format, physical medium, or dimensions of the resource</description>
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                <text>Photo&#13;
TIFF&#13;
JPEG</text>
              </elementText>
            </elementTextContainer>
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          <element elementId="38">
            <name>Coverage</name>
            <description>The spatial or temporal topic of the resource, the spatial applicability of the resource, or the jurisdiction under which the resource is relevant</description>
            <elementTextContainer>
              <elementText elementTextId="2724">
                <text>1960&#13;
Cork, Ireland</text>
              </elementText>
            </elementTextContainer>
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          <element elementId="39">
            <name>Creator</name>
            <description>An entity primarily responsible for making the resource</description>
            <elementTextContainer>
              <elementText elementTextId="7958">
                <text>University College Cork, Cork Film Festival, Finbarr O'Connell </text>
              </elementText>
            </elementTextContainer>
          </element>
          <element elementId="47">
            <name>Rights</name>
            <description>Information about rights held in and over the resource</description>
            <elementTextContainer>
              <elementText elementTextId="14051">
                <text>&lt;p&gt;©Finbarr O’Connell. All rights reserved. Please credit &lt;a href="https://corkfilmfest.org/"&gt;Cork International Film Festival&lt;/a&gt; &amp;amp; provide a link back to this site.&lt;/p&gt;</text>
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            <name>Language</name>
            <description>A language of the resource</description>
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                <text>English, eng</text>
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        <name>Harry Towb</name>
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        <name>James Bond</name>
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        <name>Savoy Cinema</name>
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        <name>Wolf Mankowitz</name>
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            <element elementId="50">
              <name>Title</name>
              <description>A name given to the resource</description>
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                  <text>Signed Publicity Photographs</text>
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              <name>Subject</name>
              <description>The topic of the resource</description>
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                  <text>Cork Film Festival, publicity photographs</text>
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              <name>Description</name>
              <description>An account of the resource</description>
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                <elementText elementTextId="12280">
                  <text>A selection of signed publicity photographs from the Cork International Film Festival collection. Publicity photographs were used for promotional purposes in film distribution and this is a small collection of signed photographs from the archive.</text>
                </elementText>
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            <element elementId="48">
              <name>Source</name>
              <description>A related resource from which the described resource is derived</description>
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                <elementText elementTextId="12281">
                  <text>Cork Film Festival Collection</text>
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              <name>Publisher</name>
              <description>An entity responsible for making the resource available</description>
              <elementTextContainer>
                <elementText elementTextId="12282">
                  <text>University College Cork</text>
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              <name>Date</name>
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                  <text>1956-</text>
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              <name>Rights</name>
              <description>Information about rights held in and over the resource</description>
              <elementTextContainer>
                <elementText elementTextId="12284">
                  <text>Please see individual items for licencing information. ©Reproduction rights CIFF</text>
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    <itemType itemTypeId="6">
      <name>Still Image</name>
      <description>A static visual representation. Examples include paintings, drawings, graphic designs, plans and maps. Recommended best practice is to assign the type Text to images of textual materials.</description>
      <elementContainer>
        <element elementId="7">
          <name>Original Format</name>
          <description>The type of object, such as painting, sculpture, paper, photo, and additional data</description>
          <elementTextContainer>
            <elementText elementTextId="3961">
              <text>Photo</text>
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        <element elementId="10">
          <name>Physical Dimensions</name>
          <description>The actual physical size of the original image</description>
          <elementTextContainer>
            <elementText elementTextId="11736">
              <text>197 x 249mm</text>
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          <element elementId="50">
            <name>Title</name>
            <description>A name given to the resource</description>
            <elementTextContainer>
              <elementText elementTextId="3951">
                <text>Signed photo of Mollie Peters</text>
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            </elementTextContainer>
          </element>
          <element elementId="49">
            <name>Subject</name>
            <description>The topic of the resource</description>
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                <text>Cork Film Festival, Mollie Peters</text>
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              <elementText elementTextId="3953">
                <text>&lt;span data-sheets-value="{&amp;quot;1&amp;quot;:2,&amp;quot;2&amp;quot;:&amp;quot;This is the back of a black and white head and shoulder publicity shot of the English actor Mollie Peters (1939-2017). The photo is signed with purple marker Mollie Peters. Mollie Peters was the stage name of Vivien Humphrey who achieved cult cinema status for appearing as Nurse Fearing, opposite Sean Connery's 007, in the first Thunderball (Terence Young, 1965). Peters was infamous for being the first Bond girl to take off her clothes on-screen, at the age of 23, earning the franchise its first X-rating. She gave up acting soon after Thunderball and had a short-lived film career due mainly to contractual disagreements with her agent.&amp;quot;}" data-sheets-userformat="{&amp;quot;2&amp;quot;:10753,&amp;quot;3&amp;quot;:{&amp;quot;1&amp;quot;:0},&amp;quot;12&amp;quot;:0,&amp;quot;14&amp;quot;:{&amp;quot;1&amp;quot;:3,&amp;quot;3&amp;quot;:1},&amp;quot;16&amp;quot;:10}"&gt;This is a signed black and white publicity shot of the English actor Mollie Peters (1939-2017). The head and shoulder image is signed, with purple marker, &lt;em&gt;Mollie Peters&lt;/em&gt;. &lt;br /&gt;&lt;br /&gt;Mollie Peters was the stage name of Vivien Humphrey who achieved cult cinema status for appearing as Nurse Fearing, opposite Sean Connery's 007, in &lt;em&gt;Thunderball&lt;/em&gt; (Terence Young, 1965). Peters was infamous for being the first Bond girl to take off her clothes on-screen, at the age of 23, earning the franchise its first X-rating. She gave up acting soon after &lt;em&gt;Thunderball&lt;/em&gt; and had a short-lived film career due mainly to contractual disagreements with her agent.&lt;/span&gt;</text>
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              <elementText elementTextId="3954">
                <text>University College Cork, Cork Film Festival, Mollie Peters</text>
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                <text>Cork Film Festival Collection</text>
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                <text>University College Cork</text>
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                <text>Mollie Peters</text>
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            <name>Format</name>
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TIFF&#13;
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                <text>Cork, Ireland</text>
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            <name>Rights</name>
            <description>Information about rights held in and over the resource</description>
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              <elementText elementTextId="12353">
                <text>&lt;p&gt;This item is licenced with a Creative Commons Attribution 4.0 International (&lt;a href="https://creativecommons.org/licenses/by/4.0/"&gt;CC-BY 4.0&lt;/a&gt;) licence. All rights reserved. Please credit &lt;a href="https://corkfilmfest.org/"&gt;Cork International Film Festival&lt;/a&gt; &amp;amp; provide a link back to this site.&lt;/p&gt;</text>
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Cork, Ireland</text>
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                  <text>Please see individual items for licencing information. ©Reproduction rights CIFF</text>
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                <text>Cork Film Festival, Tsai Chin, Alan Buttonshaw, Player and Wills, Vida Breen, Robin O'Sullivan, Frank O'Reilly, Kevin Breen, China</text>
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                <text>This is a black and white photo of the Chinese actor, director, and author Tsai Chin with a group of delegates identified at the back of the photo as Alan Buttonshaw, Vida Breen, Robin O'Sullivan, Frank O'Reilly, and Kevin Breen. The formally dressed group, some with a glass in their hand, are chatting and oblivious to the camera while Tsai Chin, wearing an elaborately beaded jacket accessorised with an ornate necklace, faces the camera smiling. &lt;br /&gt;&lt;br /&gt;This is a unique film festival image, dated 1970s, of Tsai Chin. Chin is a Chinese actor born in 1933 and working to this day (2020). The daughter of Zhou Xinfang, a renowned master of the Peking Opera, she was the first Chinese student to study in London at the Royal Academy of Dramatic Art (RADA), the first Chinese actor to star in a West End show, and shored up the exotic quotient in movies such as Bond’s &lt;em&gt;You Only Live Twice&lt;/em&gt; (Lewis Gilbert, 1967) and the Fu Manchu film franchise. In the 1960s she shot to fame when starring as 'Suzie,' the Hong Kong prostitute, in the 1959 West End play &lt;em&gt;The World of Suzie Wong&lt;/em&gt; based on the book by Richard Mason; she would follow this with extensive work on stage, television, and screen including &lt;em&gt;The Face of Fu Manchu&lt;/em&gt; (Don Sharp, 1965), &lt;em&gt;The Virgin Soldiers&lt;/em&gt; (Leslie Thomas, 1966), &lt;em&gt;The Joy Luck Club&lt;/em&gt; (Wayne Wang, 1993), &lt;em&gt;Casino Royale&lt;/em&gt; (Martin Campbell, 2006) and most recently the voice of ‘Nai Nai’ in the computer-animated adventure &lt;em&gt;Abominable&lt;/em&gt; (Jill Culton, 2019). Wishing to break away from being typecast as an exotic ingénue she later took roles that challenged the stereotypes of Asian women on the screen. &lt;br /&gt;&lt;br /&gt;In 1988 Tsai Chin published her autobiography, &lt;em&gt;Daughter of Shanghai&lt;/em&gt;, which recalls her early, and sometimes tragic, life including her early life in Shanghai, and her parents’ brutal deaths during the cultural revolution. It was a worldwide success and inspired the film of the same name, starring Tsai Chin, and directed by Michelle Chen Miao in 2019. (Jill Tweedie, 'From Suzi Wong sex-kitten to theatre pro', &lt;em&gt;The Guardian&lt;/em&gt;, 17.09.2013.)</text>
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                <text>&lt;p&gt;©TF Sheppard. All rights reserved. Please credit &lt;a href="https://corkfilmfest.org/"&gt;Cork International Film Festival&lt;/a&gt; &amp;amp; provide a link back to this site.&lt;/p&gt;</text>
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