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                <text>Robin O'Sullivan and colleagues</text>
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                <text>These black and white photos are of festival director Robin O’Sullivan and unidentified colleagues. They show the convivial Robin O’Sullivan, in photos marked 1980s, in conversation with festival attendees. O’Sullivan stepped in to run the film festival after the unexpected death of the festival founder Dermot Breen in 1978, and ran it until Mick Hannigan and Theo Dorgan took up the cudgels in the early eighties. O’Sullivan originally worked as a journalist for the then-&lt;em&gt;Cork Examiner&lt;/em&gt; and as a reporter for RTÉ news. He set up his own PR company – O’Sullivan Public Relations Ltd – in the early eighties which has since amalgamated with the successful public relations company AM O’Sullivan PR, run by his daughter Ann-Marie O’Sullivan. &lt;br /&gt;&lt;br /&gt;At the 50th anniversary of the film festival the former festival president, Charlie Hennessy, acknowledged the contribution of O’Sullivan to the festival noting that he “kept this festival alive when it was in very low water”. (Michael Dwyer, ‘A half-century of movie memories’, &lt;em&gt;irishtimes.com&lt;/em&gt;, 11.10.2005; Michael Moynihan, &lt;em&gt;Crisis and Comeback: Cork in the Eighties&lt;/em&gt;, The Collins Press, 2018.)</text>
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                <text>Portrait of Mick Hannigan</text>
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                <text>Cork Film Festival, Mick Hannigan, Theo Dorgan, Úna Feely, Indie Film Festival, The Kino</text>
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                <text>This is a publicity picture of Mick Hannigan who was the director of the Cork Film Festival from 1986 and its CEO from 2009 to 2013. The photo is undated, but we might suggest that it is from the 1980s when Hannigan, along with the poet Theo Dorgan, took the helm of the festival from Robin O’Sullivan who had managed it magnanimously after the unexpected death of festival founder Dermot Breen in 1978. &lt;br /&gt;&lt;br /&gt;Hannigan and Dorgan were a formidable team and consolidated the work of the festival bringing short and independent films to big venues such as the Cork Opera House. In 1996 Hannigan opened the first art house cinema in Cork – The Kino – located on Washington Street, at the top of the Western Road. Its first film was the low-key British film &lt;em&gt;Brassed Off&lt;/em&gt; (Mark Herman, 1996) but it was &lt;em&gt;Shine&lt;/em&gt; (Scott Hick, 1996) that sustained an eleven-week run ensuring the early success of the Kino. It ran both popular and art-house films and, in conjunction with the Cork Film Festival, brought retrospective and cultural films to Cork. However, plagued by financial concerns, the Kino closed its doors in 2009 and the building, once a cultural hub for the city, is now destined for redevelopment. &lt;br /&gt;&lt;br /&gt;Following his departure from the Cork Film Festival in 2013, Hannigan set up the Indie Cork Film Festival with festival programmer Úna Feely. Feely had worked for the Cork Film Festival since 1995 and was its festival programmer from 2001 until her departure, with Hannigan, in 2013. Hannigan and Feely also run Green Ray Film Agency which provides a broad range of services to filmmakers, festivals, and event organisers. (Joe Lyons, 'The Kino', &lt;em&gt;The Archive, &lt;/em&gt;Issue 17, 2013; Michael Moynihan, &lt;em&gt;Crisis and Comeback: Cork in the Eighties, &lt;/em&gt;Collins Press, 2018.)</text>
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