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                <text>This black and white photo shows four men seated together for a festival press briefing. A large banner for Cork Film International acts as a backdrop. The back of the photo identifies the actor and filmmaker John Boorman, the former film censor Sheamus Smith, the artist Frank Sanquest and William (Bill) Harpur from RTÉ.&lt;br /&gt;&lt;br /&gt;Smith, in a light-coloured suit wearing his distinctive glasses, sits at the far left hands clasped in front of him. The filmmaker John Boorman sits beside him. Boorman, wearing a favoured cheque jacket with an open-neck shirt, is glancing down at the table in front of him which is scattered with papers and some drinking glasses. The Cork-born artist Frank Sanquest, in light coloured jacket, sits between Boorman and Harpur. Sanquest worked as the Arts Editor for the &lt;em&gt;Cork Examiner&lt;/em&gt; from 1940-1987 and was a familiar presence at the festival. The photo is marked ‘1970s’ but we might suggest it is 1974 since Boorman came to Cork that year for the 19th film festival. He continues to show his films at the festival and his feature &lt;em&gt;Queen and Country&lt;/em&gt; had its Irish première in 2014, at the 59th edition of the Cork festival.</text>
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                <text>&lt;p&gt;©Bateman Photography. All rights reserved. Please credit &lt;a href="https://corkfilmfest.org/"&gt;Cork International Film Festival&lt;/a&gt; &amp;amp; provide a link back to this site.&lt;/p&gt;</text>
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                <text>Colm Ó Laoghaire accepting the St Finbarr statuette in 1962</text>
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                <text>Cork Film Festival, Colm Ó Laoghaire, Colm O'Leary, St Finbarr Statuette, Award, RTÉ, Niall Tóibín, Séamus Murphy, Arthur Watkins&lt;em&gt;&lt;br /&gt;&lt;/em&gt;</text>
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                <text>This is a black and white photo of the Irish filmmaker Colm Ó Laoghaire accepting an award from Arthur Watkins, president of the International Federation of Film Producers Association. The award was for the best film in the educational section for the Irish-spoken &lt;em&gt;Fior Uisce&lt;/em&gt; (&lt;em&gt;Water Wisdom&lt;/em&gt;), which was sponsored by the Department of Local Government. Narrated by Niall Tóibín, and filmed in Ring and Old Parish, Waterford, it was aimed at encouraging rural communities to provide themselves with piped water, at a time when four out of five homes relied on non-tapped water. Ruth Barton notes in her book, &lt;em&gt;Irish National Cinema&lt;/em&gt; (Routledge, 2004:68), that Ó Laoghaire’s film was so close to Soviet filmmaking practices, both in style and temperament, the Soviet delegation at the 1962 Cork Film Festival expressed an interest in inviting Ó Laoghaire to the (then) USSR. &lt;br /&gt;&lt;br /&gt;As well as working for RTÉ, Ó Laoghaire also produced and directed Gael Linn cinema newsreels for many years. In addition to &lt;em&gt;Fior Uisce&lt;/em&gt;, his filmography includes &lt;em&gt;Tony Bacillus &amp;amp; Co&lt;/em&gt; (1946), a short silent film which used puppets to fight the tuberculosis germ, &lt;em&gt;Irish Gossamer&lt;/em&gt; (1958), which was commissioned by the Irish Tourist Board to encourage visitors to Ireland, and &lt;em&gt;Gaeltacht&lt;/em&gt;, a series of programmes looking at life in the Gaeltacht in the late 1960s. Colm Ó Laoghaire died in Dublin in 2007.</text>
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                <text>&lt;span&gt;This item is licensed under a &lt;/span&gt;Creative Commons Attribution NonCommercial-NoDerivatives 4.0 International (&lt;a href="https://creativecommons.org/licenses/by-nc-nd/4.0/"&gt;CC BY-NC-ND 4.0&lt;/a&gt;) licence&lt;span&gt;.&amp;nbsp;Please credit the&amp;nbsp;&lt;/span&gt;Cork International Film Festival Archive&lt;span&gt; and provide a link back to the site.&lt;/span&gt;</text>
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                <text>This is a black and white photo of a press briefing with Sheamus Smith, Bill O’Herlihy and Disney representative whom we have provisionally identified as Roy Disney. Smith and O’Herlihy are turned towards Disney listening to him as he speaks. Behind them we notice part of a sign advertising the Cork International Film Festival. &lt;br /&gt;&lt;br /&gt;Sheamus Smith, on the left in a leather jacket, started his career as a photojournalist for the now defunct Dublin paper &lt;em&gt;Evening Press&lt;/em&gt; before moving to Canada to study film and television. He returned to Ireland in 1961 to join the newly formed &lt;em&gt;Teilifís Éireann&lt;/em&gt; (RTÉ) starting as a cameraman before becoming a producer and director with the station in 1963. Later he was appointed managing director of Ardmore Film Studios in 1975 and was instrumental in setting up the Irish Film Board. Most notably he was appointed Irish film censor and would go on to become Ireland's longest-serving film censor in the history of the State (1986-2002). &lt;br /&gt;&lt;br /&gt;Sitting in the middle is the Cork-born RTÉ television broadcaster and Irish Film Board Chairman Bill O’Herlihy (1938-2015). He grew up in Glasheen in Cork and attended Glasheen Boys' national school, and St Finbarr’s College in Farranferris, leaving school at fifteen to join the &lt;em&gt;Cork Examiner&lt;/em&gt; before working for RTÉ. He would become a household name best known for his sports coverage, along with co-presenters Eamon Dunphy and John Giles, on programmes such as &lt;em&gt;Sunday Sport&lt;/em&gt; and &lt;em&gt;Sports Stadium&lt;/em&gt; and in his time presented 10 FIFA World Cups and 10 Summer Olympic Games. O’Herlihy was a keen cinephile and brought this to his work at the film board. O’Herlihy promoted the film industry and in particular was keen to develop filming in rural Ireland; he worked for some time as PR for the Cork Film Festival where he emphasised the focus on Irish film. (Niamh Horan, &lt;em&gt;Irish Independent&lt;/em&gt;, 28.04.2013.)&lt;br /&gt;&lt;br /&gt;Roy Disney, on the far right, cigar in hand, was the nephew of the late Walt Disney and a senior executive of the Walt Disney Company. Born in 1930 in California, he worked all his life for Walt Disney Productions and made a significant impact on its direction, striving to keep it from being split up by fellow Disney executives. Disney became an adopted native of Cork when he purchased Coolmain Castle near Killbrittan, Cork in the early 1990s and, being a keen sailor, was a regular visitor to Cork race week before his death in 2009.</text>
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                <text>1970&#13;
Cork, Ireland</text>
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                <text>&lt;p&gt;©Donal Sheehan. All rights reserved. Please credit &lt;a href="https://corkfilmfest.org/"&gt;Cork International Film Festival&lt;/a&gt; &amp;amp; provide a link back to this site.&lt;/p&gt;</text>
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                <text>Jane Seymour with Carol Cleveland, Patrick Wayne and others at Lord Mayor Reception</text>
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                <text>This is a black and white photo of the actor Jane Seymour signing the visitors’ book in the Lord Mayor’s Office at the Cork City Hall. The Lord Mayor Pearse Wyse (1928-2009) stands on the right which dates this photo to his mayoralty 1974-1975. The reception includes the actor Patrick Wayne on the left and, perched on the arm of the chair, the Monty Python actor Carol Cleveland. The photo also identifies the TV director and author Christopher Fitz-Simon and Pat Roche from the Cork-Kerry Tourism Board. Fitz-Simon was a drama director with RTÉ who has held posts as artistic director of the Lyric, Abbey, and Peacock Theatres. In 2007 he published his well-received memoir of Ireland in the 1940s &lt;em&gt;Eleven Houses&lt;/em&gt; (Penguin, Ireland). He stands behind Jane Seymour in this picture, looking down, as she looks up and smiles at the camera. &lt;br /&gt;&lt;br /&gt;Born in 1951, Seymour has an extensive stage and screen career. She is probably best known for roles in the James Bond film &lt;em&gt;Live and Let Die&lt;/em&gt; (Guy Hamilton, 1973), &lt;em&gt;Somewhere in Time&lt;/em&gt; (Jeannot Szwarc, 1980) with Christopher Plummer and Christopher Reeve, and the miniseries &lt;em&gt;East Of Eden&lt;/em&gt; (1981) winning her a Golden Globe. She has numerous television credits including &lt;em&gt;The Onedin Line&lt;/em&gt; (1972) with Peter Gilmore (who also came to the Cork Film Festival), &lt;em&gt;Onassis: The Richest Man in the World&lt;/em&gt; (1988), for which she won an Emmy Award, and the long-running show &lt;em&gt;Dr Quinn, Medicine Woman&lt;/em&gt; (1993-1998). Seymour also worked alongside Patrick Wayne on the fantasy film &lt;em&gt;Sinbad and the Eye of the Tiger&lt;/em&gt; (Sam Wanamaker, 1977). &lt;br /&gt;&lt;br /&gt;A bearded Patrick Wayne, stands on the left of this photo. Born in 1939, he is the son of the actor John Wayne (1907-1979) and would act in eleven films alongside his father including the John Ford classics: &lt;em&gt;The Quiet Man&lt;/em&gt; (1952), &lt;em&gt;Mister Roberts&lt;/em&gt; (1955), &lt;em&gt;The Long Gray Line&lt;/em&gt; (1955), and &lt;em&gt;The Searchers&lt;/em&gt; (1956). Patrick Wayne was working on the fantasy film &lt;em&gt;Sinbad and the Eye of the Tiger&lt;/em&gt; with Jane Seymour when he was asked to come to Cork to represent his father’s new movie &lt;em&gt;Brannigan&lt;/em&gt; (Douglas Hickox, 1975) starring John Wayne, Richard Attenborough and Judy Geeson – all of whom came to the Cork Film Festival. (Pádraic Killeen, ‘Duke’s sons guest of honour at John Ford Ireland Symposium,’ &lt;em&gt;Irish Examiner&lt;/em&gt;, 04.06.2013)</text>
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                <text>&lt;p&gt;©Bateman Photography. All rights reserved. Please credit &lt;a href="https://corkfilmfest.org/"&gt;Cork International Film Festival&lt;/a&gt; &amp;amp; provide a link back to this site.&lt;/p&gt;</text>
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                <text>Ambrose O'Mullane </text>
              </elementText>
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          </element>
          <element elementId="41">
            <name>Description</name>
            <description>An account of the resource</description>
            <elementTextContainer>
              <elementText elementTextId="11190">
                <text>This is a black and white photo of the English actor Dawn Addams being interviewed by the RTÉ broadcaster Maxwell Sweeney in 1957. &lt;br /&gt;&lt;br /&gt;Sweeney (1909-1991) was an RTÉ radio broadcaster and producer; the RTÉ archives notes that he started work with RTÉ in the 1950s and was a producer on RTÉ Radio's &lt;em&gt;Sunday Miscellany&lt;/em&gt; for many years. He is shown in this photo wearing a dark suit and holding a microphone close up towards Addams, who is caught in mid-conversation with him. &lt;br /&gt;&lt;br /&gt;Addams is wearing a light-coloured dress tied at the waist and is shown resting her right elbow on the table next to her, which also holds the recording equipment. In her left hand she holds a cigarette and wears a small watch at her wrist. Addams had an illustrious and somewhat controversial relationship with the film festival. Due in part she admitted years later to the advice of her publicist advising her to court publicity. In particular her request, during the 1957 film festival, for a milk bath at the at the Cork Metropole Hotel caused much commotion in the press; it was shot down by the manager of the hotel, Douglas Vance, because "the people of Cork are finding it hard to make ends meet." (&lt;em&gt;Independent, &lt;/em&gt;09.11.2012.)</text>
              </elementText>
            </elementTextContainer>
          </element>
          <element elementId="47">
            <name>Rights</name>
            <description>Information about rights held in and over the resource</description>
            <elementTextContainer>
              <elementText elementTextId="12566">
                <text>&lt;p&gt;©Ambrose O’Mullane. All rights reserved. Please credit &lt;a href="https://corkfilmfest.org/"&gt;Cork International Film Festival&lt;/a&gt; &amp;amp; provide a link back to this site.&lt;/p&gt;</text>
              </elementText>
            </elementTextContainer>
          </element>
          <element elementId="44">
            <name>Language</name>
            <description>A language of the resource</description>
            <elementTextContainer>
              <elementText elementTextId="12567">
                <text>English, eng</text>
              </elementText>
            </elementTextContainer>
          </element>
        </elementContainer>
      </elementSet>
    </elementSetContainer>
    <tagContainer>
      <tag tagId="21">
        <name>Dawn Addams</name>
      </tag>
      <tag tagId="42">
        <name>Maxwell Sweeney</name>
      </tag>
      <tag tagId="43">
        <name>RTE</name>
      </tag>
    </tagContainer>
  </item>
</itemContainer>
