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                  <text>Please see individual items for licencing information. ©Reproduction rights CIFF</text>
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                <text>Dermot Breen and camera crew in Fitzgerald's Park</text>
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                <text>Cork Film Festival, Dermot Breen, Fitzgerald's Park, BBC, Lord Mayor, Edward Fitzgerald, Arthur Hill, Cork Museum, Séamus Murphy</text>
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                <text>This is a black and white photo of the festival director Dermot Breen in Fitzgerald’s Park giving an interview to a BBC television crew in the late 1960s. The interview is taking place on one of the tree-lined avenues that dot the park amidst its landscaped gardens. Breen is shown talking to the interviewer, hands in pockets with a cravat tied at his neck; the brass buttons on his jacket glint in the sunlight. We see the three-man television crew from behind and note the belted-jacket on one of the crew suggesting that the photo was taken in the late 1960s or early 1970s.&amp;nbsp;&lt;br /&gt;&lt;br /&gt;The park itself is one of Cork’s finest spaces. It originated with the 1902-03 Cork International Exhibition which took place on 8 hectares of reclaimed marshlands along the Mardyke area of Cork City. Organised by the then Lord Mayor of Cork, Edward Fitzgerald, the exhibition was visited by Edward VII and Queen Alexandra and no expense was spared constructing elaborate exhibits including a switchback railway, a water chute, and a pavilion for the park. A decision was made to donate the grounds to Cork Corporation after the exhibition and the new public space was named after Edward Fitzgerald. &lt;br /&gt;&lt;br /&gt;The legacy of the exhibition can still be seen in the park today in the shape of the President’s and Lord Mayor’s Pavilion (1902) at the entrance to the Park. It was probably designed by the architect Arthur Hill, who also designed the Metropole Hotel. Interestingly Hadji Bey launched their Turkish Delight at the Exhibition and had a shop front at the Metropole Hotel so we might guess that Arthur Hill had a hand in that collaboration too. The Shrubberies House, now Cork Municipal Museum, was used as municipal offices by the Cork Corporation as headquarters to co-ordinate the rebuilding of the City Hall after it was burnt down during the Burning of Cork, by the British Auxiliaries, in December 1920. Under the aegis of Aloys Fleischmann the park set up a Cork Sculpture Park Committee in the mid-1960s, and thanks to that we can see many examples of work by the sculptor Séamus Murphy, including &lt;em&gt;Dreamline&lt;/em&gt; and &lt;em&gt;Michael Collins&lt;/em&gt;, as well as work from other artists including Marshall Huston and Joseph Higgins. (Kieran McCarthy, &lt;em&gt;Secret Cork&lt;/em&gt;, Amberley Press, 2017.)</text>
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                <text>1960&#13;
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                <text>&lt;p&gt;©Donal Sheehan. All rights reserved. Please credit &lt;a href="https://corkfilmfest.org/"&gt;Cork International Film Festival&lt;/a&gt; &amp;amp; provide a link back to this site.&lt;/p&gt;</text>
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                <text>Sculptor Patrick O'Sullivan and festival director Robin O'Sullivan</text>
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                <text>Cork Film Festival, Sculptor, Patrick O'Sullivan, Robin O'Sullivan, Award, Aosdána</text>
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                <text>This is a black and white photo, taken during the 1980s, of the sculptor Patrick O’Sullivan in conversation with festival director Robin O’Sullivan. Patrick O’Sullivan is sitting on Robin O’Sullivan’s desk who is looking up at him as they talk. A small stone sculpture, which might be a festival award, sits on the table between them and behind them, pinned to the back wall, we note a hand-drawn cartoon of a&amp;nbsp;robin on top of a Coca-Cola can wrapped in film reel. &lt;br /&gt;&lt;br /&gt;Patrick O’Sullivan (1940-2015) was born in London to Irish parents and studied sculpture in England before moving to Cork in 1971. He lectured in sculpture at the Crawford College of Art and Design and during the time of this photo, dated 1980s, he was Head of Sculpture, a post he held from the 1980s to 1990s. O’Sullivan’s work, in marble, wood and bronze, has been exhibited around Ireland and his commission, &lt;em&gt;City&lt;/em&gt;, made from Kilkenny limestone, was placed on the South Mall in Cork as part of the Cork 800 sculpture symposium in 1985. &lt;br /&gt;&lt;br /&gt;Patrick O’Sullivan was a member of Aosdána. Established in 1981, Aosdána was set up by the Arts Council to honor artists whose work has contributed to the arts in Ireland. Membership is by peer nomination and is limited to 250 living artists who have produced a distinguished body of work. Fellow artist and Aosdána member Michael Quane speaking of O’Sullivan notes that: "Patrick O’Sullivan was always insightful and never failed to challenge. Like his work, he too in his personal style was quiet, quizzical, and enigmatic. All those who came within his reach, within his department, were often left guessing, questioning, perhaps occasionally exasperated, but always some way altered. That he changed, in some way, the world with which he came into contact, in such a non-didactic way, is a fine and worthy legacy for the quiet man and artist that Patrick O’ Sullivan was." (&lt;a href="(http://www.artscouncil.ie/News/Arts-Council-expresses-its-sadness-at-the-passing-of-Patrick-O_Sullivan/)"&gt;Arts Council 6.1.2015&lt;/a&gt;)</text>
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                <text>&lt;span&gt;This item is licensed under a&amp;nbsp;&lt;/span&gt;Creative Commons Attribution NonCommercial-NoDerivatives 4.0 International (CC BY-NC-ND 4.0) licence&lt;span&gt;.&amp;nbsp;Please credit the&amp;nbsp;&lt;/span&gt;Cork International Film Festival Archive&lt;span&gt; and provide a link back to the site.&lt;/span&gt;</text>
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              <description>The spatial or temporal topic of the resource, the spatial applicability of the resource, or the jurisdiction under which the resource is relevant</description>
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                  <text>1956-&#13;
Cork, Ireland</text>
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                  <text>Photo&#13;
TIFF&#13;
JPEG</text>
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              <description>Information about rights held in and over the resource</description>
              <elementTextContainer>
                <elementText elementTextId="8637">
                  <text>Please see individual items for licencing information. ©Reproduction rights CIFF</text>
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          <name>Original Format</name>
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              <text>Photo</text>
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              <text>237 x 191mm</text>
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        <name>Dublin Core</name>
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          <element elementId="50">
            <name>Title</name>
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                <text>Sculptor Séamus Murphy, Bebhinn Marten and Peter Barry </text>
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            <name>Subject</name>
            <description>The topic of the resource</description>
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                <text>Cork Film Festival, Séamus Murphy, Sculptor, Bebhinn Marten, Peter Barry, Louis Marcus, Maigread Murphy, Award</text>
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            <name>Description</name>
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                <text>This is a black and white photo of the sculptor Séamus Murphy and his daughter, Bebhinn Marten, in conversation with the Cork politician Peter Barry. The convivial group is dressed formally, and Marten, wearing a flower-decorated light-coloured dress, is looking up to Barry who is smoking. A whorl of smoke rises up through the air, crowning Barry, who is turned towards Marten as he listens to her. The picture is provisionally dated ‘1970s’ and would have been taken a few years before Murphy’s death in 1975. &lt;br /&gt;&lt;br /&gt;We have a particular affection for Seamus Murphy in the archive as he designed the St Finbarr statuette which was handed out as a film festival award for many years. Murphy was an Irish sculptor and stone carver with a studio based at Watercourse Road, in Blackpool, Cork. He was inspired by the writer Daniel Corkery, a teacher at his school, to attend the Cork Crawford School of Art. After receiving a scholarship he later went to Paris to study under the Irish-American sculptor Andrew O’Connor before returning to Cork and opening up his studio. Murphy was commissioned to design the Church of the Annunciation, in Blackpool, Cork, as well a number of unique carvings of statues, gravestones, and monuments around the City and beyond. Many examples of his work can be seen in the cemetery of St Finn Barre’s Cathedral especially in ‘Musicians’ Corner.’ A favourite City monument is his limestone drinking trough for dogs – tucked away at the top of Patrick’s Street under a now empty shopfront at number 121. It is marked &lt;em&gt;Madraí&lt;/em&gt; – the Irish word for dogs. A short documentary about Seamus Murphy, &lt;a href="https://ifiplayer.ie/the-silent-art/"&gt;The Silent Art &lt;/a&gt;(1958) by Louis Marcus, premiered at the festival in 1959.&lt;br /&gt;&lt;br /&gt;Murphy was married to Maigread, who was a founder of the Cork Arts Society and the Cork Film Society. She was a gifted artist in her own right and designed the well-known Paddy Irish Whisky logo. They met at the Cork Crawford School of Art and went on to have three children, the novelist Orla Murphy, the musician Colm Murphy, and the designer Bebhinn Marten who we see in this picture talking to Peter Barry. &lt;br /&gt;&lt;br /&gt;Bebhinn Marten is a knitwear designer based in Baltimore, Cork. Her company, Beacon Designs, developed during the 1970s, was one of the few knitwear companies designing and manufacturing in Ireland. However, due to the decline in the Irish woolen industry, the knitwear factory shut down and she converted the factory into a home. (Kieran McCarthy, &lt;em&gt;Secret Cork&lt;/em&gt;, Amberley Press, 2017; Mary Leland, 'Making a new home from an old factory by the sea in West Cork', &lt;em&gt;The Irish Times&lt;/em&gt;, 17.02.2018.)</text>
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            <name>Creator</name>
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                <text>University College Cork, Cork Film Festival, Bateman Photography</text>
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            <name>Source</name>
            <description>A related resource from which the described resource is derived</description>
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                <text>Cork Film Festival Collection</text>
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            <name>Publisher</name>
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                <text>University College Cork</text>
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            <name>Date</name>
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                <text>1970</text>
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            <name>Contributor</name>
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                <text>Bateman Photography</text>
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            <name>Format</name>
            <description>The file format, physical medium, or dimensions of the resource</description>
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              <elementText elementTextId="4529">
                <text>Photo&#13;
TIFF&#13;
JPEG</text>
              </elementText>
            </elementTextContainer>
          </element>
          <element elementId="38">
            <name>Coverage</name>
            <description>The spatial or temporal topic of the resource, the spatial applicability of the resource, or the jurisdiction under which the resource is relevant</description>
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              <elementText elementTextId="4530">
                <text>Cork, Ireland&#13;
&#13;
</text>
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          </element>
          <element elementId="44">
            <name>Language</name>
            <description>A language of the resource</description>
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              <elementText elementTextId="11341">
                <text>English, eng</text>
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            <name>Rights</name>
            <description>Information about rights held in and over the resource</description>
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              <elementText elementTextId="12638">
                <text>&lt;p&gt;©Bateman Photography. All rights reserved. Please credit &lt;a href="https://corkfilmfest.org/"&gt;Cork International Film Festival&lt;/a&gt; &amp;amp; provide a link back to this site.&lt;/p&gt;</text>
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        <name>Louis Marcus</name>
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        <name>Peter Barry</name>
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        <name>Sculptor</name>
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        <name>Sculpture</name>
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        <name>Seamus Murphy</name>
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        <name>St Finbarr Statuette</name>
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