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                  <text>Please see individual items for licencing information. ©Reproduction rights CIFF</text>
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                <text>Cork Film Festival, St Finbarr, Award, Trophy, Seamus Murphy, Denmark</text>
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                <text>&lt;a href="https://corkfilmfest.ucc.ie/items/show/639" title="St Finbarr Statuette 2009"&gt;St Finbarr award 2009&lt;/a&gt;</text>
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                <text>&lt;span&gt;&lt;a href="https://creativecommons.org/share-your-work/public-domain/cc0/"&gt;CC0&lt;/a&gt;. Please credit the &lt;/span&gt;Cork International Film Festival Archive&lt;span&gt; and provide a link back to the site.&lt;/span&gt;</text>
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                  <text>Please see individual items for licencing information. ©Reproduction rights CIFF</text>
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Cork, Ireland</text>
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JPEG&#13;
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                <text>Since its establishment in 1956, the festival has awarded the St Finbarr statuette to its winners. Designed by the Cork-born sculptor Seamus Murphy, the bronze-coloured representation of the saint is 31cm high including the base. The base in this image is faintly inscribed on its sides with a Celtic harp and the Cork coat of arms, along with the date of the festival. This award is inscribed &lt;em&gt;2009 Seamus Murphy, Naom Fionnbarra&lt;/em&gt;. The inscription across the base reads &lt;em&gt;Cork International Film Festival Trophy by Seamus Murphy RHA&lt;/em&gt;.&amp;nbsp;&lt;br /&gt;&lt;br /&gt;The 1965 festival programme notes, in an article by Conor Sweeney, that the awards were used from the very beginning of the festival and that the silver and bronze awards were “lined up on Dermot’s desk”. Dermot Breen was the founder of the film festival and was its director from its inception in 1956 until his untimely death in 1978.</text>
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                <text>&lt;a href="https://corkfilmfest.ucc.ie/items/show/463"&gt;St Finbarr Statuette photo&lt;/a&gt;</text>
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            <description>Information about rights held in and over the resource</description>
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                <text>©Seamus Murphy. All rights reserved. Please credit Cork International Film Festival &amp;amp; provide a link back to this site.</text>
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                <text>This is a black and white photo of the St Finbarr statuette that was designed by the Cork-born sculptor Seamus Murphy. The award itself is 31cm high including the base. The inscription across the base reads &lt;em&gt;Cork International Film Festival Trophy by Seamus Murphy RHA&lt;/em&gt;. The award has inscriptions on its base of a Celtic harp and the Cork coat of arms. Later awards - molded from the original template - have the same inscriptions accompanied by the year of the festival. &lt;br /&gt;&lt;br /&gt;The sculptor Seamus Murphy was based at his studio on Watercourse Road in Blackpool, Cork. Murphy was inspired by the politician, writer, and academic Daniel Corkery, then a teacher at his school, to attend the Cork Crawford School of Art. After receiving a scholarship, Murphy later went to Paris to study under the Irish-American Sculptor Andrew O’Connor before returning to Cork and opening up his studio. Murphy was commissioned to design the Church of the Annunciation in Blackpool, Cork, as well several unique carvings around the City and beyond. Seventy-five examples of his monuments can be seen in the cemetery of St Finn Barre’s Cathedral especially in ‘Musicians’ Corner’. A favourite City monument is his limestone drinking trough for dogs – marked &lt;em&gt;Madraí; &lt;/em&gt;it is tucked away at the top of Patrick’s Street under a now empty shopfront at number 121.</text>
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                <text>&lt;a href="https://corkfilmfest.ucc.ie/items/show/639"&gt;St Finbarr statuette 2009&lt;/a&gt;</text>
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                <text>&lt;p&gt;&lt;a href="https://creativecommons.org/licenses/by-nc-nd/4.0/"&gt;CC BY-NC-ND 4.0&lt;/a&gt;. All rights reserved. Please credit &lt;a href="https://corkfilmfest.org/"&gt;Cork International Film Festival&lt;/a&gt; &amp;amp; provide a link back to this site.&lt;/p&gt;</text>
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        <name>Louis Marcus</name>
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                <elementText elementTextId="8637">
                  <text>Please see individual items for licencing information. ©Reproduction rights CIFF</text>
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                <text>Linda Hayden with a trophy</text>
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                <text>Donal Sheehan</text>
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                <text>1972&#13;
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                <text>University College Cork, Cork Film Festival, Donal Sheehan </text>
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                <text>This is a black and white photo of the English actor Linda Hayden posing with a trophy. Hayden, in a light-coloured jumpsuit, sits on the edge of a small round table looking down at the enamelled glass-trimmed trophy which sits on a wooden base with an inscribed plaque. As far as we can determine the trophy is engraved &lt;em&gt;Presented by the Commission of the European Communities&lt;/em&gt;, and might be presented to the festival as part of the Commission’s support of the festival through their Creative Europe MEDIA programme. &lt;br /&gt;&lt;br /&gt;Linda Hayden came to Cork on a number of occasions and was a favourite of the photographers, often photographed with fellow actor Lynda Bellingham with whom she starred in the &lt;em&gt;Confessions&lt;/em&gt; series of movies. Born in 1953 she was best known for her roles in British horror films and sex comedies such as &lt;em&gt;Confessions of a Window Cleaner&lt;/em&gt; (Val Guest, 1974), &lt;em&gt;Confessions from a Holiday Camp&lt;/em&gt; (Norman Cohen, 1977) and the ‘video-nasty’ &lt;em&gt;Exposé&lt;/em&gt; (James Kenelm Clarke, 1976) which was re-released with cuts, as &lt;em&gt;Stalker&lt;/em&gt; (Martin Kemp, 1997). Controversially Hayden appeared, age 15, in the 1968 British drama film &lt;em&gt;Baby Love&lt;/em&gt; (Alastair Reid) in which she acted the part of a young girl who seduces her adoptive family after her mother commits suicide. She would have been too young to see her own movie which was rated X in British cinemas and abroad. The&lt;em&gt; New York Times&lt;/em&gt; noted that &lt;em&gt;Baby Love&lt;/em&gt; was: “… meaningful and even moving. &lt;em&gt;Baby Love&lt;/em&gt; however is basically a chiller, like the dripping water with the initial credits – a drop, a trickle, and a cold flow.” She followed this foray into horror films with Hammer’s &lt;em&gt;Taste the Blood of Dracula&lt;/em&gt; (Peter Sasdy,1970) starring Christopher Lee, and &lt;em&gt;The Blood on Satan’s Claw&lt;/em&gt; (Piers Haggard, 1971) before making her name with the &lt;em&gt;Confession&lt;/em&gt; comedies so beloved of the seventies. &lt;br /&gt;&lt;br /&gt;Hayden was the partner of the actor Robin Askwith for some time in the 1970s who also starred in the &lt;em&gt;Confessions&lt;/em&gt; sex comedy series. Askwith would be the best man at the wedding of Lynda Bellingham and the film producer Greg Smith’s wedding – both of whom were at the Cork Film Festival in the 1970s. (Howard Thompson, ‘Chilling Baby Love’, &lt;em&gt;The New York Times&lt;/em&gt;, 20.03.1969.)</text>
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              <elementText elementTextId="12754">
                <text>&lt;p&gt;©Donal Sheehan. All rights reserved. Please credit &lt;a href="https://corkfilmfest.org/"&gt;Cork International Film Festival&lt;/a&gt; &amp;amp; provide a link back to this site.&lt;/p&gt;</text>
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                <text>University College Cork, Cork Film Festival, RW Hammond </text>
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                <text>This is a black and white photo of the American theatre and film director, Otto Preminger being presented an award by the Fianna Fáil politician Jack Lynch (1917-1999). They are both wearing dark suits with a bow-tie, and Preminger is shown, on the left, in profile accepting the award from Lynch who is smiling at him. Jack Lynch would go on to serve as Taoiseach from 1966 to 1973 and 1977 to 1979. At the time of this picture (marked as 1957) he served as Minister for Education and Minister for Gaeltacht Affairs. He is also played Gaelic sports for Cork and is regarded as one of the greatest dual players of all-time. &lt;br /&gt;&lt;br /&gt;Otto Preminger (1905-1986) was born in Austria-Hungary but fled to Austria with his family after the breakout of the first World War. He went on to work for Fox Studios in Los Angeles and was known for defying the censorship code of Hollywood with his controversial films. He directed more than 35 feature films including the Oscar-nominated &lt;em&gt;The Moon is Blue&lt;/em&gt; (1953) with the English actor Dawn Addams who was a frequent visitor to the Cork Film Festival during the 1950s. &lt;br /&gt;&lt;br /&gt;In this picture, Preminger is being presented with a silver-plated single-column trophy engraved with the Cork coat of arms on the front. While we cannot see the detail in this picture, we know from &lt;a href="https://corkfilmfest.ucc.ie/items/show/206"&gt;another image&lt;/a&gt; in the archive that the award is topped with a film reel and that a film ribbon motif is replicated at various levels of the column.</text>
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                <text>&lt;p&gt;©RW Hammond. All rights reserved. Please credit &lt;a href="https://corkfilmfest.org/"&gt;Cork International Film Festival&lt;/a&gt; &amp;amp; provide a link back to this site.&lt;/p&gt;</text>
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                <text>&lt;a href="https://corkfilmfest.ucc.ie/items/show/69"&gt;Jack Lynch presenting an award to Otto Preminger&lt;/a&gt;</text>
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                <text>This is a black and white photo, dated 1976, of the actor David Hemmings speaking at an award presentation which was organised by George McSweeney (who might be sitting at the piano). The Lord Mayor Seán French, wearing his chain of office, is seated behind Hemmings next to the former Lord Mayor Gus Healy. Some of the other nine delegates are provisionally identified at the back of the photo as the Everyman Theatre founder, and Presentation Brothers College (PBC) teacher, Dan Donovan, Teddy O’Brien, festival director Dermot Breen, and Dorinda Coomber.&amp;nbsp;&lt;br /&gt;&lt;br /&gt;David Hemmings was an English actor, director, and producer who achieved international fame as a sixties icon following his memorable role, as a London fashion photographer (which might have been based on David Bailey), in &lt;em&gt;Blow-Up&lt;/em&gt; (1966), by the Italian director Michelangelo Antonioni, starring Vanessa Redgrave and Sarah Miles. He later played the leading man, opposite Jane Fonda, in Roger Vadim’s fantasy &lt;em&gt;Barbarella&lt;/em&gt; (1970). His filmography includes &lt;em&gt;The Charge of the Light Brigade&lt;/em&gt; (Tony Richardson, 1968), &lt;em&gt;Alfred the Great&lt;/em&gt; (Clive Donner, 1969) (which was filmed in Ireland), &lt;em&gt;Juggernaut&lt;/em&gt; (Richard Lester, 1974), with Richard Harris and Omar Sharif, and the gangster movie &lt;em&gt;The Squeeze&lt;/em&gt; (Michael Apted, 1977) with Stacy Keach and Edward Fox. Distracted by television roles and running his company, Hemdale Corporation, during the 1980s, his credits include &lt;em&gt;Magnum PI&lt;/em&gt;, &lt;em&gt;Airwolf&lt;/em&gt;, &lt;em&gt;The A-Team,&lt;/em&gt; and &lt;em&gt;Quantum Leap&lt;/em&gt;. By the 2000s his return to film was well-received and included the role of ‘Cassius’ in &lt;em&gt;Gladiator&lt;/em&gt; (Ridley Scott, 2000), and the role of ‘Lenny’ in the poignant &lt;em&gt;Last Orders&lt;/em&gt; (2001), alongside Tom Courtenay and Michael Caine, which was shown at the 46th edition of the Cork Film Festival in 2001. His role in &lt;em&gt;The League of Extraordinary Gentleman&lt;/em&gt; (2003), with Sean Connery, was one his final roles before his unexpected death in Romania in 2003, age 62, whilst filming the British-Romanian horror film &lt;em&gt;Blessed&lt;/em&gt; (a.k.a.&lt;em&gt;Samantha’s Child&lt;/em&gt;) (Simon Fellows, 2004) with Heather Graham and James Purefoy. We also note that he had a minor role in the film &lt;em&gt;St Joan&lt;/em&gt; (1957), based on the George Bernard play, directed by Austrain-born director Otto Preminger, who came to the film festival with Jean Seberg in the late 1950s.</text>
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                <text>©Liz Morrissey. All rights reserved. Please credit Cork International Film Festival &amp;amp; provide a link back to this site.</text>
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