Browse Items (537 total)

This is a black and white photo of the Russian film composer Dimitri Tiomkin with his wife, Olivia Tiomkin, and two others including festival director Dermot Breen. They are attending a press reception at the Café Royal in London, for the Soviet…

This is a black and white photo of the festival director Dermot Breen with an unidentified colleague. They are turned towards each other in conversation, while the light of the camera catches the warm smile of the woman. The photo is marked ‘London,…

This is a black and white photo of the film producer Greg Smith standing with Tom Nicholas, festival director Dermot Breen, and the actor Lynda Bellingham. Breen and Bellingham are facing the camera smiling, while Nicholas and Smith are in…

This is a black and white photo of festival committee member Dick Beamish in conversation with an unidentified colleague. She is dressed in a light-coloured jacket accessorised with a black handbag and sunglasses holding back her blond hair. She is…

This is a black and white publicity photo of the English actor Lynda Bellingham attributed to PR services, Dublin. Bellingham, wearing a light-coloured dress, is shown glancing upwards and smiling as she eats from a napkin-covered dish. Lynda…

This is a black and white photo taken at Dublin Airport of the festival director Dermot Breen with two colleagues, one of whom is identified as Riain Timon. Timon, on the far left, is looking towards Breen smiling. The unidentified lady, wearing a…

The 1998 festival poster is a painterly representation of a large yellow face, slightly smiling - we can only see the edge of the mouth - looking out at the viewer from the right edge of the poster. Half the face is shown with the focus on the right…

The front of the 1998 festival programme depicts a painterly representation of a large yellow face, slightly smiling – we can only see the edge of the mouth. Half the face is shown with the focus on the right eye which is painted in sky-blue with…

The front of the 2000 festival programme is black, fading to metallic silver at the middle, with four vertical slices of azure blue and white in the centre of the programme – as if the light is shining through four broad gashes. This design, of four…

The 1965 festival programme is slim, with an abstract design on its cover in the form of text decorated film negative winding around itself on a black background. The back cover is plain white with an advertisement for ‘Cork Dry Gin’ showing the…